This is a very unusual short film by Jean Cocteau for many reasons. First, it's in color--and I'm pretty sure it's his only color film. Second, much of it simply consists of his showing the viewer through a villa which he decorated--making this, mostly, a documentary. I say mostly because at times the film seems to bounce about and Cocteau can't seem to resist throwing in his own touches that have nothing to do with the house--such as his use of reversing the film to make things run in backwards order (and, like in "Testament of Orpheus", he makes flowers appear to go from being torn apart to becoming whole again).
The film is a room by room viewing of the villa--a place that Cocteau decorated in the early 1950s. According to Wikipedia, Pablo Picasso also decorated a small portion of the house--though who did what isn't discussed in the film. You can see that Cocteau's art is heavily influenced by his friends Picasso, Chagall and Matisse (and vice-versa). Much of it consists of Cocteau's simple drawings (mostly black & white)--which remind me a bit of James Thurber mixed with Picasso. However, later in the film, you suddenly see VERY bold and colorful modern works by Cocteau--and a few by his friends (including his lover Jean Marais and the villa's owner). It's all VERY exciting to watch and it's something you'll just need to see for yourself. I am not a huge fan of modern art but found the home irresistible and would sure love to be able to visit the place. I couldn't find any information on this, so I guess I'll have to content myself with seeing this excellent film.
Aside from "Orpheus" and "Beauty and the Beast", this is probably one of Cocteau's most accessible films. It's all very straight-forward and lacks the bizarre structure of some of his work (such as "Blood of a Poet").
Keywords: tattooed house
Plot summary
While Jean-Pierre Melville was shooting Les enfants terribles (1950),Mrs Francine Weisweiller met Jean Cocteau. Shortly after that meeting, the owner invited the director to spend a vacation in her villa. Before long, however, Jean Cocteau, who felt he was suffering from artistic inactivity, proposed to draw something in the living room. The result was Apollo's head--the Greek god of music, poetry, and art--that adorned the fireplace. That is how Cocteau began painting the walls of Villa Santo Sospir, which means "sacred sigh". In total, Cocteau created around two hundred drawings, or "tattoos" as he used to call them.
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When it's focuses specifically on the house, it's terrific...
Witty and placid
You can find this in the special features section of one of his Orphic trilogy DVDs from Criterion ('Orpheus' I think).
Cocteau brings the viewer around a home he painted in 1950, the quality of the 16mm film is good enough that you can certainly appreciate his work which covers the walls and doors of the island villa. Lots of nice esoteric imagery if you know what you're looking for (Cocteau was apparently head of the Priory of Sion from 1918 to '63),like fish and medieval beasties.
He also shows more than a few of his works on canvas. The pacing of the whole piece is engaging and his characteristic visual flourishes and cinematic tricks are there.