"Malatesta's Carnival of Blood" follows a husband, wife, and their young adult daughter who visit a rundown amusement park posing as potential new employees; they are actually there to locate their missing son, who worked at the carnival. To their horror, however, the park's mysterious proprietor, Malatesta, is hiding a gaggle of cannibals in caverns beneath the rides.

This little-seen horror flick plays like "Alice in Wonderland" on bad acid, but in a good way. It is remarkably low-budget, with sets that often appear to be vinyl-lined tents standing in as limestone caves (unconvincing, to say the least),but the shortcomings oddly don't seem to matter because they are obscured by the stylish cinematography and general atmosphere of complete and utter weirdness.

In similar fashion, the screenplay for "Malatesta's Carnival of Blood" is also a slipshod effort, with little connective tissue to make sense of what exactly is going on (even the main characters' arrival at the carnival is barely elucidated, making it somewhat confusing as to why they are there in the first place)--and yet again, it doesn't really matter, because the film is more a mood piece than anything. Surreal visuals reign supreme, with creepy carnival props, underground halls of mirrors, silent movie theaters where the cannibal ghouls congregate to watch movies(!?)--the weirdness never ceases.

The film's main character, Vena, leads the audience through the proceedings as she spends a hellish night in the amusement park searching for her missing brother, and the proceedings have an "Alice in Wonderland" sensibility about them. The actual nature of the villains here is also not totally explained, but their ghoulish appearance in slathered-on grey makeup manages to be effectively captured in the claustrophobic cinematography. In the end, the film doesn't really register as a narrative piece, but it succeeds magnificently as an otherworldly, nightmarish adventure that resembles a bad trip. 7/10.

The Norris family get jobs working at a seedy old carnival as a cover for searching for their missing son who disappeared after visiting said carnival. Eccentric manager Mr. Blood (a flamboyantly sinister portrayal by Jerome Dempsey) turns out to be a vampire while evil owner Malatesta (an unnerving performance by Daniel Dietrich) rules over a gaggle of ghastly ghouls who watch silent movies when they aren't feasting on human flesh.

Director Christopher Sheeth, working from a quirky and inspired story by Werner Liepolt, makes excellent and effectively unsettling use of an actual rundown amusement park, does an adept job of crafting a supremely spooky'n'surreal dreamy atmosphere, relates the disjointed, yet still intriguing and idiosyncratic plot at a hypnotically deliberate pace, brings a take-no-prisoners nihilistic sensibility to the kooky proceedings, and delivers a satisfying sprinkling of grisly gore. Token breakout star Herve Villechaize contributes a stand-out turn as flaky poetry-spouting dwarf Bobo. Moreover, there's sound acting from Janine Carazo as the sweet Vena Norris, Lenny Baker as freaky transvestite fortune teller Sonja, William Preston as deranged groundskeeper Sticker, Chris Thomas as the amiable Kit, and Tom Markus as hook-handed creep Bean. The accomplished cinematography by Norman Gaines offers a wealth of stunning visuals; the shots of the ghouls watching silent movies in a dingy basement theater are especially striking. Best of all, this film radiates a truly off-kilter eerie vibe that's both distinctive and impressive in equal measure. Essential viewing for aficionados of outré underground indie fright fare.

MALATESTA'S CARNIVAL OF BLOOD is a quirky independent horror flick of the 1970s with an evocative abandoned carnival location. The film feels a little like The Texas Chain Saw Massacre and The Hills Have Eyes in terms of plot, with an unsuspecting family arriving at a deserted location and finding themselves assailed by the crazed family of maniacs living there. This is a dark and dingy production that manages to mix in zombies, vampires, and an evil dwarf played by The Man with the Golden Gun's Herve Villechaize. Overall, it's a very cheap and unconvincing production that doesn't really offer up anything that hasn't been seen before; it reminded me of Children Shouldn't Play with Dead Things, albeit not as much fun.