Planning to watch 5 French films connected to the Occupation of France,I struggled to find a suitable title which would show what effect the end of the Occupation had on French cinema.Taking a look at a fellow IMDbers reviews,I stumbled across a film which co- writer/(along with Jean Ferry)director Henri-Georges Clouzot had made as a response to getting banned from making movies for 5 years by the French Resistance over his previous film being seen as critical against the Resistance,which led to me getting ready to meet Manon.

The plot:

France-The late 1940s: Hearing strange noises from the cargo bay of their boat,the crew discover 2 stowaways called Robert Dégrieux and Leon Lescaut.With Dégrieux being wanted for murder,the ships captain prepares to bring them in,but is stopped in his tracks by Lescaut,who tells the captain that he must allow Dégrieux to explain what they are running away from.

France-The early-mid 1940s:

Joining some American soldiers in their battle to free a city, Dégrieux find the local residence surrounding Lescaut,who they want to humiliate via shaving her head,due to having strong suspicions that Lescaut is a Nazi collaborator.Wanting Lescaut to face the full justice of the law, Dégrieux pulls Lescaut from the crowd,and takes her back to his hideout.Planning to give her over to his superiors, Dégrieux finds that despite being sickened by Lescaut's past activities,that he is unable to stop himself from falling in love with Lescaut.

With the libation of France from Hitler,the young couple find themselves in a small apartment and low-paying jobs.Dazzled by new material possessions flooding the high streets, Dégrieux promises Lescaut that he will spend every penny he has on getting all the luxury goods that she desires.Being well aware of the low wage Dégrieux is on,Lescaut decides that the only way she can live the life that she so desires,is to secretly enter the underworld once again.

View on the film:

Banned from making films from 1943-1947 (when Quai des Orfèvres was made) Jean Ferry and co-writer/director Henri-Georges Clouzot's loose adaptation of Abbé Prévost's novel "L'Histoire du Chevalier des Grieux et de Manon Lescaut" burns with an unrelenting fury. Transferring the XVIIIth century set book to the '40s,the writers attack every area of Occupied/Post-War France with a Film Noir heart,as Lescaut obsession with the consumer culture is shown to be a soulless entity which pulls Lescaut back into the darkness of the war time era. Attacking those who had made him an outcast,Clouzot's shows the former "The Resistance" fighters to be cold hearted devils,who along with accepting everything at face value,are also determined to block any sunlight from entering Dégrieux & Lescaut relationship.

Hitting back at those who had tried to make him fall,(talk about getting on the wrong side of the guy!) director Henri-Georges Clouzot and cinematographer Armand Thirard seal Dégrieux & Lescaut in a merciless Film Noir world,as Clouzot subtly uses a charcoal depth of field to show that even gold can not glitter in this world,with Clouzot giving the title a chilling atmosphere of impending doom,by scattering tightly coiled tracking shots to show the dark world closing in on Dégrieux and Lescaut.

Empathizing the bleak mood built in the indoor scenes,Clouzot gives the outdoor scenes a very contrasting appearance,thanks to Clouzot painting the outdoors as a stark,burning white desert wasteland,which along with allowing Clouzot to take a little dip into Adventure-movie mode(!),also gives Clouzot the chance to take a mature allegorical route in showing how wrong his critics were,as Dégrieux & Lescaut find their one moment of happiness in the promise land.

Offering his heart and all the jewels that she desires, Michel Auclair gives an extraordinary,gritty performance as Robert Dégrieux, Initially appearing calm and collective, Auclair pulls everyone of Dégrieux's nerves out to reveal his vulnerability towards Lescaut,as Auclair shows Dégrieux to be a Film Noir loner, who's growing obsession with Lescaut leads him to an ocean of death. Appearing like a fragile doll,the beautiful Cécile Aubry sets the film alight as burning hot femme fatale Manon Lescaut. Striking a fine balance,Aubry gives Lescaut a sweet, joyful nature which gets under Dégrieux skin,which is countered with Lescaut's hard-edge fight for all that she desires,as Lescaut reveals to Dégrieux the real resistance.

Based on Prévost's 1731 novel Manon Lescaut, Manon was directed by Henri-Georges Clouzot, who is better known for the thrillers The Wages of Fear and Les Diaboliques.

He moves this tragic romance to the end of World War II, as young Manon (Cécile Aubry, The Black Rose) is accused of working with the Nazis. A former French freedom fighter named Robert Dégrieux (Michel Auclair, The Day of the Jackal) rescues her, but when they get to Paris, they must deal with all manner of sin to just survive. In fact, they're pretty much doomed.

Manon is a striking indictment of post-World War II France. Where there was once the promise of heaven on Earth, now there's only profiteering and prostitution. Before the end of the film, Robert leaves that Manon isn't the angel that he wants her to be. And her amoral and duplicitous ways are about to lead him down the path that all good intentions lead to.

Aubry's first major film role, she'd only make six more films before marrying a Marrakech prince named Si Brahim El Glaou and becoming a writer. Today, she may be best known for French TV series Belle et Sébastien, which also lent its name to the band. Her son Mehdi El Glaoui would play the lead male role on that show.

This is probably the only movie on this site that can claim that it won a Golden Lion in Venice. While this isn't one of Clouzot's best-known works, that hasn't stopped Arrow Video from releasing a version that has all their trademark extras.

Manon is directed by Henri-Georges Clouzot and Clouzot co-adapts the screenplay with Jean Ferry from the novel "Manon Lescaut" written by Abbe Prevost. It stars Serge Reggiani, Michel Auclair, Cécile Aubry, Andrex and Raymond Souplex. Music is by Paul Misraki and cinematography by Armand Thirard.

Clouzot, still smarting from the hysterical fall out from his brilliant "Le Corbeau", realigns the Prevost novel to post war France right after the liberation from Nazi occupancy. With his muse set alight, Clouzot set about putting on film the dark venality of the human condition, to show that post war France was hardly a joyous new world. Right here with "Manon" he lets rip, thrusting to the forefront black market racketeers and prostitution, people who inhabit a morally corrupt city in serious decay.

The central narrative concerns Robert Dégrieux (Auclair a splendid dope) and Manon Lescaut (Aubry cunningly adorable),where the former quickly falls in love with the latter and finds himself spun into a vortex of mistrust and misjudgements, becoming more compulsive and foolish by the day. The pursuit of a dream life by both Robert and Manon, runs concurrently with that of the Jewish people attempting to reach Israel, it is here where Clouzot is building towards a quite outstanding last quarter of film.

As the pic pulses away with film noir character beats, these are matched by the visual astuteness of the director and his cinematographer, who use high contrasts and canted angles for narrative embracement. A number of striking sequences grab the attention, be it the portentous meeting of Robert and Manon in the war torn ruins of a church (hello Christ imagery),or a mass trek through the desert beneath ominously low night time clouds, the makers ensure the mood is constantly foreboding.

Superbly performed by the cast, "Manon" is further evidence of what a true great of cinema Clouzot was. 9/10