John (Luke Wilson) sells real estate but doesn't sell enough as the bills are mounting. While his wife (Leslie Bibb) is out for a walk, Samuel L. Jackson stops by and through a series of events, John is riding shotgun in a well dressed Jackson's GTO...a man we know has issues. Jackson acts a bit psychotic, confrontational, and criminal, so much so John wants him to take him back home.

John, without his cell phone or wallet, finds himself in the uncomfortable position where he is at the mercy of strangers. (Un)fortunately he meets Tammy, an office affair and the threesome take off down the road in her car. Jackson seems to know more about these people than he should. Jackson seems to have been written as John's alter ego. He is what the meek mild John is holding inside. Only together can they be complete. This becomes apparent when Jackson proclaims, "We are in this together."

The movie ends with a twist, but not one without hints. The movie was good, and a cut above other "B" abduction type films.

F-bombs, no sex, no nudity.

You'll either love the fact, that the movies characters all have their flaws and gray areas or you are going to loathe it for that. The movie keeps you guessing from the moment two main characters meet up. The clues are there all along of course and it does make sense (as much sense as a movie can make that is).

It's again a powerhouse performance by Samuell L. Jackson. He carries the movie throughout, with more than stellar support by Mr. Wilson and Ms. Bibb. While it does go OTT quite often (one of the things that might not make any sense in the "real" world, but try not to forget this is a movie and meant as entertainment),it gravitates towards something rewarding at the end :o)

There were times during Chris Fisher's Meeting Evil when I wasn't quite sure what kind of movie I was watching. The music, especially near the beginning, seems to indicate that its horror. The cinematography lends itself to art house aspirations, and the plot is a cross between thriller and noir. It became clear after not too long that the reason I could not figure out what I was watching is because the filmmakers didn't know either. And that doesn't help the movie one bit.

Luke Wilson stars as John Felton, a family man who has had the world fall in on him. He's lost his job, he's overdue on all his bills and he comes home to find a foreclosure notice on his front door.

His recent troubles are causing issues at home, with his wife Joanie (Leslie Bibb) expressing obvious frustration at their current financial situation. Everything changes when Richie (Samuel L. Jackson) knocks on John's door, asking for help with his stalled car.

One event leads to another and before John knows it, he's being led by Richie across his county, leaving murdered bodies in his wake.

It's a pretty straight forward setup for a crime thriller, but the film has so many problems that after a while, everything stops being tense and comes across as satirical. Having not read the original novel by Thomas Berger, I cannot comment whether these issues were present in the source material or whether they were introduced in the film. In either case, they don't serve it well.

Jackson seems to know the ridiculousness of the material because his portrayal of Richie is so amazingly campy that it is hard to fault him for it. It's more self-aware than it is bad.

Wilson on the other hand, is as vibrant as dead fish, bringing no sense of desperation to a man that should be desperate about everything that's going on around him.

The script (penned by Fisher himself),is awful, giving both leads, as well as the supporting cast almost nothing worthwhile to say, making the film's message – yes, it has one – totally nonsensical.

Add to that some dangling plot points that are never explained, a ridiculous twist at the end and recurring characters that add nothing to the plot (seriously, was there a time in this movie when that little girl wasn't outside walking her dog?),and what you have is a film that leaves the viewer throwing their hands in the air in frustration.

As a film Meeting Evil is pretty terrible, but as fodder for a Saturday Night movie watching party it might have merit – especially if one decides to use it as the basis for a drinking game.

Daniel FilmPulse.net