This movie causes tremendous anguish, okay Menashe can't be considered what we usually call a responsible adult, but the rules on fatherhood revolted me extremely, it hurt, to see the love for the child and the mandatory absence (no father and mother a child can't study) absurd... Slow, delicate, simple, a pure portrait of father/son love and Jewish traditions. Menashe's plot is loosely based on Lustig's life. In an interview with the Los Angeles Times, he said that "unlike Menashe in the movie, I'm not a schlimazel by nature. Maybe just a schlimazel by situation."

Menashe (2017) was co-written and directed by Joshua Z. Weinstein. It was filmed in the Hasidic community of Williamsburg, Brooklyn.

The Hasidim are a subgroup within ultra-orthodox Judaism. So, all of the Hasidim are ultra- orthodox Jews, but not all ultra-orthodox Jews are Hasidim. The Hasidim are concentrated in the Williamsburg section of Brooklyn. There's a mix of many cultures in Williamsburg, but the Chasidim stand out because of their different dress and the fact that they speak Yiddish as their primary language. Another characteristic of the Hasidim--as shown clearly in the film--is the loyalty of each group to their own rabbi. The rabbi has the final say about major events like marriage, as well as many day-to-day practical matters.

Menashe (portrayed well by Menashe Lustig) is a basically decent guy whose life is a mess. He has a low-paying job as a stock clerk in a small Chasidic grocery store. He owes money. He is a widower, which by Hasidic custom means he can't have his son living with him unless he remarries.

He loves his son Fischel, brilliantly played by Yoel Falkowitz. Fischel is a good son, but he is beginning to recognize that Menashe fails at most of what he attempts.

In the film, Menashe is called a "schlimazel." That's a Yiddish word that describes a person who is chronically unlucky. This can often mean that the person is inept and incompetent, and that's why he's unlucky. It's a sad thing to be a schlimazel, and it's no fun being the son of a schlimazel either. The plot of the movie demonstrates those facts.

I enjoyed watching this film because it allows a glimpse into a very different culture from mainstream U.S. culture, and even from mainstream Jewish culture. It's almost an anthropological film, and yet it tells a clear, if unhappy story.

We saw this movie at the excellent Little Theatre in Rochester, NY. It has a terrible IMDb rating of 6.3. It's not a masterpiece, but it's much better than that.

This movie chronicles the tribulations of Menashe, a Hasidic Jew from present-day New York City. His wife died a year ago, so the community has forced him to let his wife's brother raise his son. To get his son back, he needs to marry. But his first marriage was very unhappy, and he is not eager to rush into a second, especially since he dislikes the women being pushed at him.

Menashe's life is miserable. The brother-in-law is openly contemptuous of the hapless Menashe. Menashe is bad at his crappy job and has an unpleasant boss.

The movie is filmed in a very low-tech, near documentary fashion. It has the downsides of many actual documentaries with poorly shot scenes and meandering scenes that undercut the story.

Still, it's a slice of an America that most of us will never meet. And Menashe is a memorable character.