Wow. I was positively surprised by this movie. After all the stereotyped, Americanized movies about the war in the Middle East this little film feels like a well-needed breath of fresh air. The action is packed and high class, the acting is sublime and even the plot itself is unique and interesting. It reminded me somewhat of the amazing Brazilian 'Elite Squad' movies, all-though this is a totally different war. The Iraqi actors are all doing an outstanding job in portraying the horrors of the war caused by the medieval terrorist machine that is ISIS. An absolute must-watch, not just for war-movies fans, but just for anyone to get a better view of the situation in this war-torn area of the world.
Plot summary
Between 2014 and 2017, ISIS occupied the Iraqi city of Mosul. During those years, the only group to fight the occupiers continuously was Nineveh province's SWAT unit, made up of local men who had either been injured or had a family member killed by ISIS. Carnahan's Mosul is a gripping tribute to these fighters for whom the incentives were intensely personal. Kawa (Adam Bessa),a 21-year-old police officer, barely survives a firefight. When the smoke clears he meets the men who saved his life, the Nineveh SWAT, led by Jasem (Suhail Dabbach). Kawa's own uncle was recently killed by ISIS. He joins the group, though they've been reduced to just a dozen men with three Humvees and a surplus of cigarettes. Before his first day with Nineveh SWAT is over, Kawa will witness the rescue of a child and the death of several colleagues, take revenge on a man who betrayed him, and participate in the ambush of an ISIS stronghold. Carnahan drops us right in the center of urban warfare, but also allows for telling moments that reveal the men beyond their combat roles. A rare American film designed to bring Iraqi perspectives forward, Mosul is both muscular and humane.
Uploaded by: FREEMAN
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Underrated and realistic modern-war piece
Nuanced and effecting
Bearing in mind that this is fiction, featuring actors, written and directed by an American, Mosul still has an authentic and sincere feel to it. The events covered are recent, and the wounds still very much raw, but the treatment seems fair.
The core story is the basic coming-of-age of a young policeman inducted into a SWAT team acting, essentially, as executioners, and he soon adopts that philosophy. Daesh behave like medieval savages, but the callousness and cruelty that this engenders on those fighting them isn't glossed over either. There are no heroes here - all the characters presented have quirks or flaws.
The acting, filming and production values are all generally decent, with some compelling performances from the leads. The combat sequences in particular are well done, with some admirable examples of snafus and fumbles that give them a gritty authentic feel.
The tone of the film is generally grim and downbeat, but there's a surprisingly affecting twist at the end when the unit's real mission is revealed. Even within that though, there's some further nuance that brings home that there are no easy, final victories over an ideology as actively evil as Daesh.
This is a commendable, thought provoking and thoroughly well made film that far exceeded my expectations.
Novel, gritty and action-packed
Mosul, Iraq. After a long struggle the tide is at last turning against ISIS. At the forefront of the war against ISIS is the elite Nineveh SWAT team, lead by Major Jasem. After recruiting a young police officer to their ranks they set off on a another hazardous mission.
A novel war drama, as it is told from an Iraqi perspective and set against the war against ISIS. Decent story, well told, with some realistic action scenes. Very gritty in the war the battles are portrayed: the good guys aren't immortal.
Not perfect though. Character engagement is limited, largely because there's no backstory to the characters or plot. Things just happen without a context, making you more an observer than a participant in the film.
The reason for the lack of background becomes apparent at the end but it would have been very helpful to have some way to have audiences engage more closely with characters. A longer film, even a mini-series, would have been more ideal.