I have watched so many nice movies from Argentina, Mexico and Peru that I could never expect a so terrible film like this, particularly as the plot could have been worked as an exciting production. With an absolutely ridiculous screenplay, full of awful dialogs, "La mujer de mi hermano" is a harsh failure, quite disappointing. Even though actors are not bad, their performance is not good enough to reverse the disaster caused by a bad story. As the film advances, one becomes more and more irritated by the so obvious events presented in a boring chain of clichés and unacceptably absurd situations. When the dramatic changes happen in the second third part of the movie, it is far from enough to make it a good film. Bárbara Mori is a beautiful actress; that does not make Zoe a good character.

La mujer de mi hermano,The Wife Of My Brother in English,is a Mexican film based on the novel of the same title by the Peruvian writer, journalist and TV host Jaime Bayly,who also wrote the script. It features Bárbara Mori, Manolo Cardona, Christian Meier and Angélica Aragón.It was directed by Ricardo de Montreuil.

Zoe is a beautiful woman who has been married to Ignacio for nearly a decade. While Zoe still loves her husband, she feels the spark has gone out of their relationship, and she's become restless and anxious. Hoping to find the excitement she craves in forbidden fruit, Zoe falls into an affair with Gonzalo, Ignacio's rough-edged but handsome brother. Zoe and Gonzalo's passionate affair is deeply satisfying to them both, but the adulterous couple must deal with the sharp sting of betrayal when Ignacio finds out they've been sleeping together.

Far from realistic, the film's shallow characters' sexual escapades and heaving passion are the only interesting aspect of particularly with the sexy and gorgeous Barbara Mori. The movie's sensational glimpse into a wealthy Mexican family's business, at its best or any other story about a love triangle between family members as well as the marital strife presented are far too common in many Mexican films and this film adds nothing to it.But with clean and crisp cinematography, this modern rendition of a strict taboo provides nothing else but temporary entertainment but lacks sustenance.

LA MUJER DE MI HERMANO seems to have polarized viewers between those who classify it as a television novela and those who see it as a stylish Latin American drama. Written by Peruvian author Jaime Bayly, adapted by María Eugenia Argomedo, and directed by Peruvian director Ricardo de Montreuil, the cast boasts actors from Peru (Christian Meier),Colombia (Manolo Cardona),Uruguay (Bárbara Mori),Venezuela (Gaby Espino),Chile (Beto Cuevas),and Mexico (Angélica Aragón, Bruno Bichir). It is a fine showcase for some of the fine talent from Latin America that is gaining a strong influence on theatrical films released in the USA. It offers a story embracing many current dilemmas in society (relationship to church, infidelity, illegitimate pregnancy, homosexuality, childhood sexual abuse) and blends them into a film acted by a fine cast of beautiful and talented actors and artists behind the camera, and the result is a luminous piece of cinema that deserves a second look.

Ignacio (Meier) is a handsome, wealthy, emotionally cool man who is married to a sensuous, beautiful, sexually frustrated Zoe (Mori),The couple may appear to have it all - splendid house, wealth, expensive tastes - but they have been unable to have children in their ten year marriage. The disparity between their sexual needs results in Zoe finding solace in the arms of Ignacio's bohemian artist brother Gonzalo and they begin an affair that results in a surprise pregnancy. This crisis unveils the truth about the characters: Gonzalo, still reeling from the childhood sexual abuse by his older brother Ignacio, doesn't want fatherhood and marriage, and in the peak of the tremor the pregnancy creates Gonzalo shares Ignacio's homosexuality with Zoe. How the three confront their needs and fears pulls the story to a close, an ending that addresses fully the characteristic traits that have shaped the lives of the three.

In addition to the trio of stars there are excellent cameos by Bruno Bichir as Zoe's gay confidant, Angélica Aragón as the mother of the men whose greatest need is for grandchildren, Gaby Espino as the housekeeper Laura, and Beto Cuevas as the priest who is not only a friend of the family but hears the secrets of each in the confessional. The cinematography is lush and evocative in the competent hands of Andrés Sánchez and the tension of the story is well underscored by the music of Angelo Milli. For this viewer LA MUJER DE MI HERMANO is a classy film that brings attention to the many fine new works coming from Latin American cinema. It is well worth revisiting. Grady Harp