Some college kid inherits a mysterious box. He checks with specialists and discovers that it's quite valuable and some people are interested in it. It also was used in the past for magic acts.

When the kid's creepy brother appears, with whom he hasn't spoken for years, the box mysteriously disappears. And now, one by one his friends start dying in brutal, gory, and bizarre ways. One of them for example, has his limbs torn and broken without any apparent cause. But we do know what is happening. The killer is using the box, photographs of the victims, blood and wax to create a tiny voodoo doll to dismember and poke with needles.

The brother is also coincidentally a crime scene photographer who for some reason can't wipe a cocky smile off his face no matter what gory scene he's called to.

The kid's friends include a bunch of very attractive girls, one which is interested in him but he's rather shy. Eventually the kid and his brother by chance run into the killer and they find out why the killer is doing it.

Needle has an interesting premise, a good cast, is very gory, and it's frankly quite endearing to see Australians dealing with each other, which is a much more human and kind way than obnoxious bickering American movie characters. In particular the relationship between the kid and his love interest is well done. This movie is quite the opposite of American horror that often is nasty and mean spirited but lacks gore or violence. This movie is good-natured and filled with good people but it sure is gory. Nudity is sorely lacking and so is perhaps a villain, after all you really don't see or know much about him till the very end. The idea of a voodoo doll-creating machine is also pretty interesting. The death scenes are excellent. Overall a recommended horror movie that has an interesting way of blending violence and gore with a fairly gentle tone.

Part of what makes us indulge in horror movies is to see death presented to us in a different manner, through a story that compels us. NEEDLE had a wonderful premise with a wonderful little mystery that screenwriters Anthony Egan and John V. Soto (who also directed) could not bring to light.

And that really bothers the heck out of me.

If the pair had really invested in a riveting narrative, this could have comprised the mystery element of the United States based version of THE RING with Clive Barkers HELLRAISER for one potent and unforgettable horror. Instead, after coming up with a wild idea, Egan and Soto clearly didn't know what to do with it. Instead, it became hack-and-slice cinema that offered little stimulation to the senses. By movie's end, the tale had become so old and lame, the climax was abysmal and unsatisfactory. In fact, it cheats the audience and sets up a sequel, though I doubt they'll ever have the chance – unless an intelligent producer with deep pockets comes along and shows them how to do it the right way.

At first, when the lame commercial-hard rock commenced as Ben (Michael Dorman) ran across a college campus, I thought this was going to be typical teen fair. Then the premise was revealed and intrigue set in – only to collapse into typical teen fair. Worst still, Travis Fimmel, who played Ben's older brother, came off as being creepy in one scene, and a determined guy out to solve the mystery in another. Now, this did not leave the audience with an enigmatic character (such as Stellan Skarsgård in INSOMNIA or Ji-tae Yu in NATURAL CITY) but a confusing one. However, seeing how the story imploded into mediocrity, I have little doubt the director had told me to act in this manner. Think of George Lucas directing kids (unless they're stuffed into ewok costumes) and you'll get the idea.

Revenge horrors have become a "give me a break" kind of subgenre, that is a simple and clichéd plot device for writers and directors to use as an excuse to slaughter. NEEDLE reminds us filmmakers need to deliver so much more. And this movie is only worth watching to see how a couple of writers came up with a great idea and didn't know how to make it work.

NEEDLE is a film that I'd never heard of before seeing the cover. It intrigued me, looking like a HELLRAISER rip off with a mysterious kind of puzzle box being used to commit evil acts, so I thought I'd try it out. What I uncovered was a surprisingly enjoyable little movie that comes across as very familiar but made for a good evening's viewing all the same.

The storyline is indeed HELLRAISER themed, albeit with a few voodoo-themed twists. A bunch of high school students are tormented by a mystery villain who has the power to kill from afar. The horror content is strong stuff indeed, as the film is packed with some very gruesome death scenes which are effectively staged. It's a shame the director hasn't made more films in the horror genre given the strength of his work here.

Even better, one of the leads is played by VIKINGS star Travis Fimmel, who's always a delight to see on screen. Fimmel is well supported by the likes of Ben Mendelsohn playing the investigating cop, and in particularly a small but excellent turn from John Jarratt playing the local coroner. The scenes between Fimmel and Jarratt were a dream come true for this viewer, and I can only wish that Jarrett had more screen time. Still, it's enough...