This is a Three Mesquiteer movie from Republic Pictures. This was a very popular series from the 1930s and 40s and while they were generally pretty well made and enjoyable, the composition of the cast changed frequently. While the most popular trio probably was the one that consisted of Robert Livingston, Ray Corrigan and Max Terhune, many other guys were members of this movie gang. In "New Frontier", you may be surprised to see John Wayne in the lead, though he played the leader of this group for eight movies. And, while the bizarre duo of Max Terhune and his dummy (literally a ventriloquist's dummy) are not in this one, the very familiar Raymond Hatton plays the third Mesquiteer. As for the middle guy, Ray Corrigan was on hand for this.

Like many of the B-westerns of the day, this one actually is set in the modern day. It's very surreal to see cowboys riding about on horses one minute and the next seeing modern construction machinery! It's one of those weird things you just have to accept in films with Gene Autry, Roy Rogers and the Mesquiteers.

One standout thing about this otherwise ordinary film is the presence of Jennifer Jones. Here she plays the usual not too romantic female lead who falls, kind of, the the leader of the Mesquiteers. She's pretty bland here--but this sort of role is almost always bland and forgettable. What's amazing is that Jones did these sort of roles for such a short period and was soon making A-pictures--culminating with her receiving an Oscar for Best Actress for "The Song of Bernadette" only four years later.

The plot is very different--which is a plus. However, it's also a reasonably dull plot. A town is condemned by the state. That's because a dam is going to be built to flood the valley. The folks are naturally mad, but they are assured that they will be relocated to much better land--land that is fertile and with plenty of water. However, after using the Mesquiteers to sell the idea to the town, the trio learn that the project is a shame. What are they to do to be niceness and justice to the modern range? Overall, it's exactly what a fan of these films should expect. Quickly made, a relatively bad old print and a threadbare story. It's enjoyable but no better than average--at best.

FRONTIER HORIZON is the last in a series of B-movie westerns teaming John Wayne with stuntman Ray Corrigan and Raymond Hatton as a trio of crime-fighters in the Old West. This time around, they're called in to help prevent land owners being harassed by a crooked real estate boss and his men, but the whole thing feels entirely cheap and unfocused. Long segments of the running time stretch out without much going on and the heroes have little to do except occasionally jump into action. Watch out for Hollywood starlet Jennifer Jones in her screen debut.

SYNOPSIS: Just as the good citizens are celebrating the 50th anniversary of the founding of New Hope (which occurred shortly after the end of the Civil War),word is brought that a neighboring city intends to flood the valley to ensure its water supply.

NOTES: Number 25 of the 52-picture Three Mesquiteers series, and Wayne's last "B" western. The print under review is from the Republic Collection. Although the cassette blurb claims the print was "mastered from original film negatives", this is demonstrably untrue. It was in fact obviously duped from a 16mm television print, and not from the original 35mm negative, let alone the 36mm theatrical print. The grading is terrible, the lack of contrast so bad that many shots look almost completely washed out.

COMMENT: A John Wayne-Jennifer Jones picture? Yes indeed. Actually it was her first film and she appeared under her real name, Phylis Isley. She is billed after Wayne, Corrigan and Hatton and her role is fairly large, though she has but a few lines and only one close-up, and I think only three brief scenes with Wayne. The producers seem unsure what to do with her. In her introductory and longest scene, she has her hair long and dark. In her next scene and throughout the rest of the film she wears it short and light. We wonder if it's the same girl. She often stands in a shot while Eddie Waller does all or most of the talking. His is really the main role after Wayne's. Both Corrigan and Hatton have so little to do, it's hardly fair to call this a Three Mesquiteers movie. Even Sammy McKim has a bigger part than Corrigan.

As with Miss Jones, the script bears every evidence of being changed or made up on the run. A couple of good guys unexpectedly change into villains and the plot leads into a series of climaxes, all of which unexpectedly fizzle out or come to nothing. Oddly, for a western, although plenty of confrontations occur, there is no bloodshed at all. Not a drop. The villains are routed with no more than a dozen or so fists raised in anger, and the climax, instead of an expected Poverty Row duplication of The Rains of Ranchipur, comes to nothing. All the lead-up with the dam waters being released raises expectations. We assume the farmsteads have been swept away before Wayne turns the water off. But, would you believe, the flood waters are neither shown wreaking havoc (no Lydecker special effects or miniatures in this movie) or even mentioned.

Aside from its cleverly contrived introduction when the audience is fooled into thinking a recreation of the Pony Express run is the actual McGuffin, the plot manages to whip up surprisingly little interest. Lackluster direction, dull locations and the paucity of action doesn't help. It's fortunate Miss Jones was cast in the film because the novelty of her presence is just about the only reason anyone would want to watch it from start to end. Even Wayne himself is less forceful than usual. Of course, fans of garrulously verbose Eddy Waller will be cheering themselves hoarse, but if Eddy's total fan following overflows a phone booth, I'd be very surprised.

Note the prominence given Wayne's name in the poster. Also that Phylis Isley is pictured pointing a rifle when in fact, true to her Jennifer Jones screen image, she does no such thing.