A marvellous bit of whimsy from Britain's film industry of the early 60's, when we knew how to make this kind of light-hearted comedy/drama. Almost everyone is perfectly cast - especially the pretty and pleasant Juliet Mills as Nurse Jones - and her mother, played by the incomparable Esma Cannon very nearly steals the show; the scene with the sink plunger never misses. Raymond Huntley's vicar is a bit thin on plot, but then he is there only to provide Joan Sims with a purpose anyway. However, on every DVD and TV showing I've seen, the reels seem to have been assembled in the wrong order and the plot strand concerning Joan Sims applying for a job seems back-to-front! Despite this, Nurse on Wheels is a pleasant 90 minutes of classic British gentle comedy with a fine cast of regulars. I can only agree with other posters who have said 'they don't make them like this anymore'.

NURSE ON WHEELS does feel very much like a non-canon CARRY ON film, a feeling exacerbated by the presence of not one, not two, but three CARRY ON big names: Gerald Thomas as director, Peter Rogers as producer, and Norman Hudis as writer. Add in the presence of a number of CARRY ON players in support and you have pretty much a CARRY ON movie in all but name.

The tag line proclaims this as "funnier than CARRY ON NURSE!" and I would have to disagree with that statement. The early black and white CARRY ONs were all very good indeed; there was no time taken to get the series up to speed, they had the formula correct from the word go and the resulting films feel fresh and sparkly even now. NURSE ON WHEELS spoils things a bit by including a large romantic sub-plot which makes this sometimes feel like a light romance from the 1940s rather than an early '60s comedy.

Still, there are plenty of reasons to tune in, not least the efforts of the solid cast. Juliet Mills is full of warmth and humour as the district nurse lead, although the fish-out-of-water type humour feels very quaint and even antiquated for a modern viewership. Ronald Lewis is stuck with the stodgy role of a farmer, although Noel Purcell shines as the eccentric general store owner. Sadly, one of the best known of the CARRY ON actors, Joan Sims, has her comic talents wasted in the part of a jealous rival. Still, Esma Cannon is delightfully eccentric, old talents like Joan Hickson and Renee Houston remain amusing, George Woodbridge is cast delightfully against type, and Jim Dale makes a mark early on in his career.

Juliet Mills is the new district nurse in a rural English village in this slight but amusing movie, populated by amusing eccentrics, in this mild version of CARRY ON NURSE. She deals with the usual comic issues of the National Health service and is pursued by a sturdy and stiff young doctor, with the usual mishaps one would expect in a movie directed by Gerald Thomas.

Juliet Mills is pretty, young and handles her standard-issue role very well, as one would expect of some who had a movie career stretching back more than twenty years (her first role was as a baby in IN WHICH WE SERVE under the direction her godfather, Noel Coward). One would hardly expect less of a daughter of John Mills, whose sister Hayley was a juvenile star. Even so, this is a slight affair; her role was intended for Joan Sims, who wound up taking a supporting role. Given the popularity of "young women in the world" comedies in the 1960s, this is not particularly memorable.