This movie has a very very special quality to it. Yes, I understand it's dated. You don't have to tell me the dialogue is totally basic nearly throughout. This is a classic 1980's movie. This movie touches on something. The ending scene very nearly spells it out, but it keeps its message veiled, and leaves it for you to figure it out, like all good movies should.

Some people would watch this movie because it's the debut of Alyssa Milano, but those people have no idea who Rainbow Harvest is. Rainbow was in two made for TV movies, a few TV shows and a handful of movies, including Mirror, Mirror and then she disappeared. She's wonderful in this, a streetwise teenager who wins over Milano's rich little girl and teaches her the ways of the world.

Danny Aiello plays her dad and instead of preaching, he beats her up repeatedly.

This won the Grand Jury Prize at Sundance in 1984 and is probably the only movie ever reviewed on this site that has honor. So it has that going for it.

I promise to make up for this veer into respectability by watching something morally abhorrent next.

This is an excellent 'coming of age' adolescent film. Everytime I've caught it on cable over the years I've never been able to stop watching it. Yesterday on IFC it happened again for maybe the 8th time, I've lost count. It's great that a channel like IFC or BRAVO has recognized the worth of this film because in my video guide they gave it the worst score possible (a turkey),which is an abomination. This is one of the most truthful films about kids and in a wider sense Brooklyn or New York City attitudes in the '80s. The director has to be either very good or extremely lucky to get this much truth on film. 'Old Enough' is almost like an updated, early '80s adolescent version of Engel and Orkin's 'Little Fugitive,' or 'Lovers and Lollipops,' two pioneering cinema verite films of the '50s. It is cut directly from the fabric of life and needless to say, shot entirely on location. In fact, it is almost like walking into the lives of these quintessentially 'New York' people, you can almost smell the neighborhood. The two girls playing the leads are just fabulous; it's as if they're just living their real lives and you're eavesdropping on them; you hardly suspect you're watching a movie. In the end, friendship is shown to be stronger than class conflicts but not until the magical and forever vanished world of the 11 to 13 year old that once existed in every soul has been resurrected for re-evaluation and non-sentimental nostalgia.