A group of mountain travelers find refuge in a cave where professor Conrad Nagel is examining prehistoric wall drawings. Nagel soon goes into a lengthy examination of the meaning of these pictures for his newly arrived guests which turns into the flashback which is the film. The pictures are the story of two prehistoric peoples: the tribal, brute rock people and the pleasant, peaceful shell people. Naturally, the story is a romance between stars Victor Mature(just his second feature film) and the lovely blonde Carole Landis. This film, produced by Hal Roach, has some things going for it. I liked the division between the two tribes and how each sustained life in a prehistoric world. The acting was surprisingly good with Mature and Landis doing credible jobs despite spouting occasional gibberish meant to be taken as caveman lingo. Landis in fact is quite affable and charming(being in a mini-cave dress always helps too). Lon Chaney Jr. gets his start in this type of film so to speak as the head of the rock people and as Mature's father. Chaney is good and is able to emote lots of emotion while using little dialog. The special effects are unfortunately not too special as we are basically given Irwin Allen/Bert I Gordon dinosaurs. You know the type. Iguanas and other common lizards, as well as an alligator, dressed up in fins and the like. For the technology used, these effects are okay and predate my examples of movies using them. There are also some very non-scientific bits of information used throughout the film...like man has already got domesticated dogs for just one example. Overall, this movie is a pleasant fantasy of what life might have been back then. It should not be taken too seriously as it is in truth a fairly simple tale with a simple message of how man might change through the influence of another(Landis on Mature and his people).

Just watched this classic Hal Roach production on the TCM site. It's the story of a man and woman and how they get their previously enemy tribes together. Actually, what I just said made the movie sound simplistic which, despite the prehistoric setting, it's not. In fact, I was surprisingly enthralled by the story, the acting of Victor Mature and Carole Landis (though Ms. Landis is also good eye candy),the fights of the "dinosaurs" (actually lizards, alligators, and armadillos),and the exciting special effects concerning the volcano eruption. Roy Seawright deserves mega-kudos for that last sequence and possibly for Mature's fight with what looked like a model dinosaur worthy of Willis O'Brien. Also loved the music score that was played throughout. That score might have broken whatever monotony the slower scenes may have had. So with all that said, I'm recommending One Million B.C. for anyone interested in these old-fashioned effects movies.

I was very surprised to see from the IMDb trivia that this was the highest grossing film released in 1940. I just wouldn't have imagined that a caveman film with dinosaurs consisting of lizards on tiny sets would have brought in that much money. I think it's because such a film would be passé today, but back in 1940 it viewed quite differently.

The film begins with some travelers coming into a cave to get out of the storm. Inside was an archaeologist (Conrad Nagel) and he tells them a story about what life would have been like during early human history. Interestingly, the travelers played out the roles as cave people in the tale. You'll probably notice rather quickly that one of the cavemen (Tumak) is Victor Mature--in only his second film role. Carole Landis, a lovely contract actress with Hal Roach Studios and Lon Chaney, Jr. also star in this tale.

Having actually seen the 1966 remake of this film in the theater (when it was re-released in 1970),I noticed very quickly that this 1940 version actually had better sets and special effects. While this version was impressive in its day, the 1966 version wasn't so cutting edge. I was particularly impressed by the matte paintings and sets in this 1940 version--it looked very professional, even though the Roach studio was NOT a fancy or rich operation. They generally seemed to make the most of what they had--including putting hairy suits on modern mammals to make them look wild and woolly.

Mature is a bit of a wimp in the film--at least at the beginning. Despite his age and size, he's beaten up in a fight with an old man and is tossed from the cave--and has to fend for himself. He eventually floats down stream to another social group where he meets an exceptionally well-coiffed group of people (for cave dudes, most of them looked awfully nice--with nicely trimmed beards and clean skin). Landis, in particular, is quite a dish. Actually, now that I think about it, Mature looked amazingly good also. Despite his slightly unruly long hair, he was clean-shaven--something you wouldn't expect from such a guy.

At first, Mature has some difficulty adjusting to life in the new tribe. However, soon he becomes an important member--especially after he saves a young girl's life by killing what appears to be a mini T-Rex. But, because he is a pile of raging hormones, he eventually is forced to leave this group--and Landis goes with him because he's such a hunk. Will the two ever be able to make it on their own? What will become of them? Tune in and see...or not.

Generally, it's the sort of movie I could care less about unless it were made really, really poorly (then it's good for a laugh). While some of the animal fighting scenes between alligators and monitor lizards are cheesy, the rest of the film is not. Interestingly, however, the worst parts of the film (these reptile fights) were often re-used in later films--crappy ones such as ROBOT MONSTER and TEENAGE CAVE MAN. In addition to these scenes being poor, they were also amazingly cruel, as the reptiles actually were allowed to tear each other apart and fires were set in which they appeared to be killed or at least badly injured! I can see why censor officials in the UK insisted that these scenes be cut.

Overall, if you insist on seeing a caveman movie, this or THE FLINTSTONES (1994) are your best bet. Still, even a good caveman film is something I can't get that excited about--after all, it's all a lot of grunting and modern animals pretending to be ancient. And, I doubt if my not being that impressed by this film is unusual for audiences in 2010. It's the sort of film that once packed 'em in, but now just seems a tad silly.