Rome, 1976. 10-year-old Vale & his mother witnesses, an assassination attack on his father by a terrorist group, his innocence is challenged. From that moment on, fear and a sense of vulnerability affect the whole family. Then young Vale gets to know Christian, a boy not much older than him. Solitary, rebellious and bold, he seems to have appeared out of nowhere.

It's a story that shifts from Rome to Calabria and we are treated to cinematography that does justice to the grandeur, beauty and colours of the locations. The heroic characters, with their secrets, are interesting and handsomely portrayed; Valerio (Mattia Garaci),Father is Alfonso (Pierfrancesco Favino in his Venice Film Festival Best Actor-winning role.

Claudio Noce's very personal political thriller, inspired by his own family drama. Because it is not a fiction, this film leads us unexpectedly into unknown territory. But there is fun, magic and poetry in this story's authenticity. Original, well acted, well-filmed, a taut, low-key thriller with great music and images. Padrenostro (our father),one of the best films of the year.

The Years of Lead. Anni di Piombo. Terrorism, massacres and politics both in Italy and Argentina shocked the foundations of both countries while the director of this film was too young to remember but too young to forget. His father is the character, brilliantly played by one of the most recognised Italian actors. This film is so personal, so beautifully crafted, that it feels like we're witnessing someone else's life through a peep-hole. Complex, layered and well thought. If you're not familiar with recent Italian history, this film might be strange, full of references that assume some understanding of the period. It proves, again, the depth of many Italian films and the sheer beauty shining in the darkest realms of life. Maybe somebody can describe the story or what's behind it. I only can suggest you to watch this film. It's a work of art.

Very likable tale of a young boy's friendship with another--thankfully without sexual undercurrents. It also happens to be the director's own life story in a period when his father was under constant threat of being killed by terrorists in the line of duty. The two awards for the Best Actor (the father Alfonso's role by Favino) and the technical award for camera and lighting at the Venice Festival were well deserved. Two factors that raise questions: One, how is that Alfonso's body in the boat sequences does not show injury (real or part imagination) marks of the recent bloody shooting incident recollected by his son and, two, did Christian (the older boy) target Valerio (the younger boy) for friendship by design, if he knew the connection with his parents to Alfonso. A superior film when compared to two other awardee films at the Venice competition: "The New Order" and "Wife of a Spy." The cinematography was notable, too.