It's 1942 Singapore. Adrienne Pargiter (Glenn Close) joins the women and children evacuating from the approaching Japanese only to have their ship sunk. She and others swim ashore to Sumatra and imprisoned in an internment camp. As they face mounting brutal treatment, they decide to organize a choir.

There are a lot of great actresses here; Frances McDormand, Pauline Collins, Cate Blanchett, Julianna Margulies plus many many others. The different characters can get to be too numerous. However the main characters played by the better known actresses remain center stage. Ten years before, the stories would be shocking and ground breaking. After Schindler's List, that kind of inhumanity is no longer as shocking and it seemed that this movie held back the most shocking visuals. For example, when the woman gets burnt alive, we are barely allowed to see anything. The beatings were all stage crafted. They could have stage a more brutal vision.

The film is based on actual true events and was inspired by the reminisces of the actual women prisoners of war, many of whom became life-long friends after the ordeal. Fact-based recounting of a group of women who are imprisoned on the island of Sumatra by the Japanese during World War II and used music as a relief to their misery .During WWII a group of women are captured by the Japanese and struggle to survive in brutal POW camp in the Far East . Their confinement is recounted in unsparing and harrowing detail , as Irish/British/Dutch/Jew women find themselves interned for the long duration . As orders from Nipponese Army Administration are strict as ¨Men and women will be imprisoned separately ¨ . ¨To avoid punishments and beatings , the ladies should presume themselves to endeavor , with passive behavior not negative¨. It is an internment camp, where civilians are kept for no other reason than being of the wrong nationality , this happened, for instance, to Japanese civilians in the U.S. Meanwhile, Adrienne suffering a surreal and brutal experience ; she is cruelly attacked ; however , she attempts to lift the spirits of the inmates and the brutalized women. Later on , she creates a choir , but the film refers to the singing prisoner of war women as a vocal orchestra rather than as a choir . This P.O.W film centers women prisoners as its principal cast and subjects with a theme of utilizing music to survive the horrors of war . The final credits state that the vocal orchestra performed over thirty works in the P.O.W camp . It discontinued performing though when about half of the members had died and the remaining survivors were not well enough to participate. The real-life first concert held by the women in the actual P.O.W camp was held on 27 December 1943 and the vocal orchestra performed over thirty works in the P.O.W camp during 1943 and 1944.

¨Paradise road¨(1997) is a good film set in Singapur , directed by Bruce Beresford with an all- woman star-cast as Glenn Close as Adrienne Pargiter , Julianna Margulies as Topsy Merritt , Frances McDormand as a Jew doctor , Cate Blanchett as Susan Macarthy and Jennifer Ehle as Rosemary Leighton-Jones . And special mention to Clyde Kusatsu as cruel , brutal Sergeant Tomiashi, 'The Snake' . Interesting and strong drama , being perfectly adapted by the same director Bruce Beresford , David Giles (story) and Martin Meader (writing credits) , also producers . The film is based on the diaries, reminisces and testimonies of Helen Colijn and Betty Jeffrey as described in their books, "Song of Survival" and "White Coolies". No weakest in the cast and few in the movie , which presents the women's Japanese captors as human and inhuman at the same time with clashing cultures included . Clearly there's much longer plot in this, but director Bruce Beresford concentrates on the passionate acting of Glenn Close . It's a taut psychological drama about physical and emotional survival focusing on the tensions between Glenn Close, soldiers and camp commander well played by Stan Egi as cultured officer. Crammed with emotive moments , the picture has a string of committed performances from Glenn Close Pauline Collins , Jennifer Ehle , among others . Familiar ground is trod in this prisoner-of-war saga , but the thought-provoking story and magnificent acting help sustain interest. Colorful cinematography filmed on location in Marrickville, Sydney, New South Wales, Australia ,Penang ,Malaysia ,Port Douglas, Queensland, Raffles Hotel Singapore . Sensitive musical score , the music in the film was derived from the actual score transcripts used in the P.O.W camps which survived World War II. This superior though overlooked drama , is also laudable for a fairly portrayal of the enemy captors and being rightly directed by Bruce Beresford , this is the second war movie he directed , his first was Breaker Morant.

Other films about women on concentration camps mistreated by Japanese military during WWII are the following : ¨Three came home¨1950 by Jean Negulesco with Claudette Cobert , Patrick Knowles , and Sussue Hayakawa ¨Women on valor¨(1986) by Buzz Kulik with Susan Sarandon , Kristy McNichol and Alberta Watson set in Philippines .

During the first 30 or so minutes of "Paradise Road", one is apt to ask one question incredulously: "They're still making movies about WWII?" Not-bad factual story based upon the diaries of Betty Jeffrey, this occasionally brutal but gripping film has female detainees in a Japanese-run prisoner-of-war camp in Sumatra organizing a choir, which raises their spirits and even captivates their captors. Director Bruce Beresford stages the indignities of the prisoners for maximum impact, yet neither this nor the music renders the picture fresh (it won't fool anyone who has seen 1950's "Three Came Home", or half a dozen other POW dramas). Glenn Close, the musically-trained den mother of the pack (and choir leader!),looks great with hardly any makeup and in a closely-cropped hairstyle; it's always fine to see her at work, and one can perceive initially why she signed on for this project (the epic sweep of wartime, the nostalgia and female camaraderie),yet her character's hushed-but-stern sanity and reasoning gets to be a bit much (as do the divergent accents of the group). "Paradise Road" obviously gave work to a quite a number of Asian actors--not to mention talented ladies--but it's of a genre that went out of fashion decades ago, and nothing in it is special enough to warrant a resurrection. ** from ****