A movie armed with such a strong cast of comedians, you almost expect a movie like this to be open scripted hilarity. Sure there'd be a script, but the comedians are given free reign to riff on the situations to try to make them comedic, and to make them their own. You'd have some semblance of a hurried background story in order to get to the dinner section where all hell breaks loose and biting hilarity ensues.

This is not that movie.

That movie would have been amazing with this cast.

This movie is a strictly scripted dysfunctional family Indie comedy that is more dramatic than comedic. Which could be OK, if the characters were well drawn instead of being broad stereotypes put into clichéd situations. The screw-up, the good kid, the princess, the absent father, the ignored mother, and the successful kid who puts it all to paper. This is every crappy family movie crossed with Woody Allen's Deconstructing Harry...minus the snark, bite, or reason. The father's speech at the end telling everybody that they are responsible for their own misery is the only change from this formula.

The movie is hollow. And, maybe that's the point. Maybe the writer is bitter about all the other family dysfunction films that send the blame up the chain. And, so he made a film that was as hollow as he felt the other movies to be, with the father being the writer's voice saying "you guys are your own problems." But, if this IS the case, this sort of po-mo response doesn't make it a good movie...or, for that matter, an entertaining one.

That's not to say this movie is completely terrible. It does have fleeting flashes of actual humor, mainly involving Leslie Ann Warren as the ignored mother and Taraji P. Henson as the screw-up's doting girlfriend, both of whom are criminally underused. But, as I said, they're fleeting flashes of humor with the rest of the film's humor being empty.

Skip it.

2/10

Peep World is like (almost) all of the other dysfunctional family movies I have ever come across. It has a very short tun-time (79 minutes) and a decent cast (with some surprisingly good dramatic performances turned in by some comedic actors). It also is NOT overly compelling as not many of the characters are endearing or engrossing.

A terribly-cold and downright mean-mean-mean father (Ron Rifkin - LA Confidential, Boiler Room, The Sum of All Fears) is having a celebratory birthday dinner with his four adult children in attendance. None of the kids are overly fond of their financially-successful father just as he appears to be none-too-proud of any of his offspring.

Setting the siblings at odds with one another is the success the youngest has found (Ben Schwartz - Everybody's Fine, The Other Guys) after writing a scathing novel that is being made into a movie that exposes and ridicules his entire family (save their father).

Michael C. Hall ("Dexter", "Six Feet Under") plays the oldest brother who always "tries to be there for his siblings" even as his marriage is slowly falling apart (his pregnant wife is played by a surprisingly dramatic Judy Greer - 13 Going on 30, Elizabethtown, 27 Dresses); Rainn Wilson ("The Office", Super, Sahara) is the irresponsible and lazy middle brother while the lone girl is a Drama Queen actress played by a manic and most-angry Sarah Silverman (Funny People, Jesus Is Magic, School for Scoundrels). The youngest appears to be the father's favorite simply because of his recent success and each of the kids KNOW this.

If the story had remained tight and dedicated to the family dinner, I think Peep World (the name of the exposing novel AND a strip club in the film) would have been more successful. As is (after the film's opening scene of the dinner toast, the film "rewinds" some 16 hours or so) the film easily loses itself and becomes more bitter at times than entertaining (Silverman's anger is understood; but it becomes trying and tiring).

For a film of such short-length, the cast is too extensive as it also includes Lesley Ann Warren (Clue, Twin Falls Idaho, Victor/Victoria),Alicia Witt (Mr. Holland's Opus, Vanilla Sky, The Upside of Anger),Taraji P. Henson (... Benjamin Button, Hustle & Flow, The Karate Kid),Kate Mara (Brokeback Mountain, 127 Hours, Iron Man 2) and Stephen Tobolowsky (Groundhog Day, Freaky Friday, Memento) and they are spread too thin to become heavily concerned with/by any of them (although it is always nice seeing Miss Scarlet now and again).

As there are TOO MANY dysfunctional family films in existence, one has to really stand-out to be worthy of recommendation ... and Peep World unfortunately does NOT. While there is a fun peek/peep here-and-there -- and Michael C. Hall and Judy Greer make an interesting/believable struggling duo (and woot! to Greer going dramatic again) -- Peep World isn't worth the price of admission OR the cost of the fictional book.

It is short-enough for it to not be a waste-of-time for a viewer but not everyone will think it is worth a peep either.

I watched this movie for a lot of reasons. I really like Sarah Silverman and Michael C. Hall, plus I was looking for a comedy that might offer a little something different. I guess on both fronts I got what I was expecting, but it still felt like a hollow victory.

There's nothing really bad about this movie. The acting is done well and the pace is kept pretty good, but it always feels like something is missing and I still can't figure out what it would be. It seems to be one of the many comedies that tries to derive humor from awkward situations and subtle quirks in common situations. Though it's just a personal preference, that has always kind of bothered me. And the storyline of the horrendously dysfunctional family also feels a bit tired to be, especially as it's been done to much better effect.

But the film isn't without it's charms. They're just a little hard to notice. Honestly, I thought this movie delivered more on the drama aspects than the comedy and perhaps that's how it was supposed to play. But hey...at least it wasn't terrible. That's really about all the endorsement I'm willing to give it.