Those going into Personal Shopper expecting some type of straightforward narrative of an as per-usual glum Kristen Stewart going around trying on clothes and living the high living lifestyle will surely be disappointed by Olivier Assayas latest film, as this supernatural tinged thriller mystery is an anything but straightforward experience.

Winning the Best Director award at last year's Cannes Film Festival for this effort, Personal Shopper sees Assayas re-team with Stewart after their successful collaboration on Clouds of Sils Maria and the two artists have seemingly in the space of two films developed quite the artistic connection as Assayas assured hand behind the camera works seamlessly with Stewart, as her inwardly haunted Maureen Cartwright tries desperately to connect with her recently deceased twin brother Lewis, only to find herself in a potentially dangerous and possibly otherworldly situation.

Personal Shopper is almost unclassifiable and can't be pigeonholed into a specific genre as Assayas comfortably enters into horror/thriller territory as easily as he does drama/mystery as Maureen's experience with the world beyond our own makes itself more apparent and her dealings with an unknown "messenger" take hold of her increasingly complicated world.

Talking to much about Assayas's layered narrative would undo many of the films surprise's as we're constantly taken into routes we don't expect and it's highly plausible that Assayas's finale will be one of those cinematic endings that creates more than its fair share of heated online discussions and theories.

In saying this, Personal Shopper isn't an easily accessible film, its slowly paced and features a bunch of rather unlikeable characters but Assayas's ability to create mood and atmosphere can't be questioned while Stewart delivers one of her best turns as an adult lead as Maureen.

As if Twilight was but a sparkling distant memory, Stewart's brave and committed turn as the tormented Maureen holds the film together through some of its rougher patches and some of the scenarios/situations Assayas has asked his leading lady to be a part of could've easily gotten the better of lesser performers.

It might not be a turn that manifest's the haters into followers but there's little questioning Stewart's ability to play these certain roles she's become attributed to isn't amongst the best in the business today.

Final Say –

A truly original piece of filmmaking that isn't made for mass appeal and a work of art that doesn't always hit the high notes it intended to, Personal Shopper is a film like we've never seen before and an unnerving experience that will likely stay with you after the credits have rolled; if you happen to be one of the few that had been transfixed by Maureen's experiences with the forces we have yet to understand.

3 ½ dropped glasses out of 5

This film was listed by my cable provider under the Horror section, and you wouldn't know it watching much of the film. It plays as a quiet, introspective drama, focused on Maureen and her interactions with some French people we gradually find out are trying to clear a house of a "spirit" while she is also trying to confirm that she's made contact with her dead twin brother.

the film has a very "indie" vibe to it, with very little music and a lot of focus on Maureen's normal daily activities as a personal shopper to a French model (someone who buys stuff for her so she doesn't go out in public and get harassed by paparazzi and/or fans).

rather suddenly, we get a horror sequence involving a ghost. Then Maureen is being harassed by an unknown person via text message. She communicates with them on a somewhat casual basis. Then suddenly the model Maureen works for is murdered and Maureen is very briefly a suspect before some man apparently escapes a poorly executed attempted abduction in mid-day. Then suddenly Maureen explains to her friend that some guy confessed to everything and she's off the hook.

then she goes to either Oman or Marrakech and is confronted by a ghost directly. she asks the ghost questions and it appears to answer via bangs on the wall. it contradicts itself in its answers, then she asks out loud if it's "Me", and if she's actually alone, and the wall bangs in affirmative. Then the movie abruptly ends.

It wasn't an altogether horrible movie, but the tone of the horror sequences were completely off from the rest of the movie, as if done as re-shoots to change the movie entirely. The ending also was completely inexplicable. I get the attempt to try to be esoteric or cryptic with a seemingly inexplicable ending, but this ending was not seemingly inexplicable, it was COMPLETELY inexplicable. Absolutely nothing in the movie preceding it in any way provided a basis, foundation, clue, or even a red herring that could possibly set it up.

The ending was like something out of a completely different movie we did not watch, much like the horror sequences. I would have rather watched one of the movies (the horror or the quiet indie drama) instead of a soulless combination of the two

I don't know much about ghost stories, but I have been gravitating to them of late. This one is the most realistic one I have run into so far. A woman's twin-brother has passed away and she is preoccupied with an oath they had made, whoever dies first will try to pierce the divide and leave a sign for the other. There is a rather sadistic soundtrack consisting of a free-floating sonar-like program but instead of underwater, we get a generalized array of ambient tracks from whatever locale our POV character happens to be at the time and at an extremely high decibel level. If the idea is to keep the viewer a little on edge, it succeeds. There is an extraordinarily realistic visitation scene which frightens. There is a sequence where an unknown texter is harassing the survivor, which under the circumstances, is more than a little eerie.

The denouement is predictably unclear except perhaps for especially perceptive viewers of which I do not belong. But an explanation is there that seems quite convincing (I had to read it from a review) which I give the movie credit for. It's not just a scary story that leads nowhere.