PPS is a homage to the 80s through and through - care has been taken with the usual wardrobe and hair, but more than that it has tried to capture something of both the mannerisms and the film style of the 80s.

The film has both a John Hughes' summer of coming of age vibe and even a touch of Napolean Dynamite in the family's relatives. It also pays more than a nod to the Eighties style of sports' movies, here through a ping pong game against the local bully rich kid.

All in all, this has more style than substance, but it well put together with an excellent cast. It will appeal ti a wide audience of those who remember the Eighties and to those who like the idea of the Eighties. It's a fun watch and a good film to share with friends.

It's 1985. Rad Miracle (Marcello Conte) is an awkward teen loner. He loves ping pong and hip hop. His sister Michelle (Helena Seabrook) is a bitter sarcastic teen. His parents state trooper Brendan (John Hannah) and Crandall (Lea Thompson) are cheapskates. They got a deal on their Ocean City annual summer vacation. He's infatuated with Stacy Summers. Rich kids Lyle Ace and Dale Lyons are picking on him. His new friend Teddy Fryy tells him that his next door neighbor Randi Jammer (Susan Sarandon) is a weirdo but she turns out to be a great mentor.

I really want to root for these kids. I kinda like them in their shy dorky ways. Their story is sweet and a little cliché. I like the popular girl who has a problem. The main drawback are the teen actors. I don't want to say bad things about them but they're mostly amateurs. It shows. Their dialog, their interactions and their general acting abilities are all a bit deficient. Writer/director Michael Tully needs to give Rad another dimension. He needs an awkward sense of humor or something more than just being shy. The adults are fine and I love Hannah and Thompson. Sarandon has some nice moments. Amy Sedaris has a nice fun short section. The kids need a bit more charisma.

Getting used to Michael Tully's Ping Pong Summer is a bit like getting to know and getting used to the lead character of the film. At first, it's a little awkward, being that he bears a different style and different vibes than many of us, but through his motivation, his charming character, and his unabashed innocence, we grow to like him quite a bit and admire his sensibilities that amount through his struggle.

Tully's film is the same way, as its nostalgia-soaked screenplay and excessive use of dated lingo initially makes the film a harder project to adapt to. Not to mention, it's made even harder when the film seems to be throwing nostalgia in our face for no real reason whatsoever other than to remind us how primitive and easier life was back then, as we see closeups of Nike jumpsuits, obnoxiously large boomboxes, and Run D.M.C. cassette tapes here and there. Yet, as the film carries on with its nostalgia and its simple, underdog story, we see the film as a little time capsule of such a period that fittingly respects when it was set and isn't afraid to even subtly critique the time period for all the goofiness and eccentricities it brought forth.

The film stars Marcello Conte as Rad Miracle, a shy teenage boy going on a family vacation to Ocean City, Maryland for the summer of 1985. Despite having relatively no friends, he clings to an equally quirky black kid named Teddy Fryy (Myles Massey),who shares his love for rap music and ping pong, the only two things that matter in the minds of these two. The two spend their days roaming around Ocean City, frequenting a place called "The Fun Hub," which is an indoor arcade equipped with ping pong tables, games, drinks, and food - basically all a kid of any time period needs when they're thirteen-years-old. Rad quickly notices and develops a crush on Stacy (Emmi Shockley),an attractive blonde teenager who is often seen sipping on an ICEE. Teddy informs Rad that Stacy is a "funk punch" drinker, which is a drink where people put Pop Rocks or Pixie Sticks (or even Cocaine) into an ICEE to increase the sugar intake or to increase the power of a brain freeze. Ostensibly, this little screen writing inclusion has no purpose whatsoever, but it only reminds us of the stupid things we did when were kids, mixing drinks (at one point Rad asks for a "suicide" drink at a bar, which is a little bit of every fountain soda mixed together),or creating our own foods to have at snack-time. I remember putting Sweet N Low or Splenda in Diet Coke late at night when I'd have sleepovers with buddies to make us stay up longer.

Moreover, Rad and Teddy eventually attract the attention of two local bullies, one of whom is the son of the richest family in Ocean City. After constant harassment, Rad challenges him to a ping pong duel to see who really is the champion in Ocean City. Meanwhile, Rad and Teddy engage in some fun of their own, even going to the beach with Stacy and Stacy's other friend, along with just trying to come to terms that this friendship is only temporary.

Ping Pong Summer plays a lot of the same instruments as last year's coming of age marvel The Way, Way Back, who focused on a lonely teenager who went on a vacation with his family, hated his mom's boyfriend and all the smarmy adults that surrounded him, and found solace working at a waterpark with all the eccentric locals who were his coworkers. The core difference in both films is that The Way, Way Back touched on harsher issues, such as family relations, isolation, and solace within a group of people you'll never see again in a way that was levied by the aforementioned theme. Ping Pong Summer keeps it simple, with waves of nostalgia making up for the lack of really any underlying ideas of loneliness; we don't have the feeling that Rad is destined to be alone forever, but he has yet to find his in-crowd. Duncan, the main character in The Way, Way Back, we could believe may be alone in life for a very, very long time.

Ping Pong Summer may not be as deep as its other films of the genre, and it may try too hard to get by on the superficiality of its time period, but it is a shockingly entertaining film on the basis that its actors are all on par with the material (even Susan Sarandon, who really exercises her role nicely),the decor and aesthetic of the time period is artfully done, and even the final battle, while obligatory, has one cheering internally or externally for the lead character. Bottom line, the film is a lot of fun, and much like the summer that our lead characters are experiencing, we reflect on the experience with certain joy.

Starring: Marcello Conte, Myles Massey, Emmi Shockley, John Hannah, Lea Thompson, Amy Sedaris, Robert Longstreet, and Susan Sarandon. Directed by: Michael Tully.