This appears to be only the second commentary on this film, and I am fairly certain that the first critic and I would not be golfing buddies.

I want to refrain from tossing epithets at the loyal opposition... screw it... Republicans are ignorant racist morons, and Democrats are spineless overly sensitive idiots! If you erase the opinions of the Ditto-heads that were dragged by their wives, kicking and screaming, to see this obviously biased 'documentary' this movie is GREAT! Just don't expect to hold a civil discussion on the topic if you insist that your favorite Glenn Dreck fan accompany you.

Hollywood is chock full of vacuous dilettantes who are all-too-anxious to proffer political/cultural/religious gibberish as if they are psychically connected to the Wizard Himself... Hollywood is also filled with highly intelligent, superbly talented people, who are allowed by the grace of their celebrity to encourage their fans to become informed and participate in our Grand Democratic Experiment.

In our time, as 'Hybrid' technology is growing, I am a Political Hybrid. I am liberal on most social issues, but I am also conservative on the Second Amendment, violent criminals, and government spending.

Nearly all of the stars in this film acquit themselves well of the charges that right-wing nut-jobs are constantly hurling from their fortified Fox Studio-Bunkers. It is gratifying to watch beautiful, intelligent people, with the gifts of talent and charisma, speak eloquently and passionately about causes and policies that they deeply believe.

So, if you believe what you hear on Fox Noise Network, do everybody a favor and do NOT see this movie... I am tired of trying to hold a dialog while the shouting morons jump up and down at the center of the room.

This documentary was phenomenal. from start to finish, Barry Levinson shows a comprehensive look at what the political process has become, how it got that way, and how the "well known" status has influenced it, for better, and for worse.

this movie is not independently about the liberal media, it is not independently about the conservative right, it is not independently about celebrities, politicians, appeal, communication, dialog, it is not about telling you what to think. In a day and age where Michael Moore seems to have ruined the playing field for politically themed documentaries, this film returns credit to the scene. it is bipartisan, it is representative of both sides of the spectrum, and it almost seems to attempt to unite the two sides in healthy dialog.

i don't like people that come on IMDb.com and generalize and project, people that say "if you don't like this movie then you're an idiot" or something to that effect, but with that said, i feel like not liking or at least appreciating what this film is trying to accomplish means you're politics and thought process have fallen victim to the games MSNBC and FoxNews are playing with you.

there are equal minutes for both sides and some of the most accomplishing moments come from "hollywood elitist" types engaging in a gut-wrenchingly powerful conversation with people at the RNC. At the conclusion of the RNC portion, my jaw was dropped and i almost felt like standing up and applauding.

the aforementioned prerequisites for watching this film are that you go into without bias. i don't care if you've voted straight ticket democrat, or want Obama out of office, or don't like war, or are for the end of abortion, whatever your politics may be, THROW THEM OUT before you watch this. Poliwood will not "Michael Moore" you with skewed facts, it will not fox news you with slanted opinion or fact. it will present a case for getting this country back in the right direction, it will challenge you to do your own research before you open your mouth, it will show you humility and understanding from the common man to the A-list celebrity.

but most importantly it will show you that this government is now, always has been, and always will be the best option for our country, the democratic process and way of life is a luxury, and the freedom to speak and do as we please comes with great responsibility. i think this film is trying to hold us accountable to our obligation as Americans to BE INFORMED, to BE EDUCATED, to BE UNDERSTANDING, and to BE FAIR.

what is right for me here in Texas, may not be what's right for you in North Carolina, but we can have an open dialog to better understand each other, as opposed to letting what conservative and liberal talking heads say speak for us.

so cast your political bias aside, this movie is not aiming to change what your politics are, it's aiming to change the kind of person you are. it promotes tolerance and the responsibility to educate yourself. and it's got some entertaining and funny moments to boot. a truly great film, and i'm glad i had the pleasure of watching it, and hope you get the chance too.

"A little rebellion, now and then, is a good thing, and as necessary in the political world as storms in the physical." Thomas Jefferson, letter to James Madison, January 30, 1787 One documentary film serves to highlight Tinsel town's liberal artists and celebrities as they exercise their political voice and power. Poliwood, directed by Barry Levinson and co-produced by actor Tim Daly, of the progressive Creative Coalition, criss-crosses America during the 2008 presidential campaign. Interviewing Hollywood liberals and mainstream media moguls, Daly hopes the production will underscore the main goal of the Coalition, "bringing issues to the table for national discussion".

Levinson's Poliwood ambitiously interweaves several issues that that he sees as important in Hollywood: How television has changed the nature of politics, the development of politicians as "actors" in shaping public opinion, and the increasing political polarization of America.

Instead, Poliwood serves to expose the hypersensitivity of today's liberal Hollywood creative community – which is understandable - given their experiences at the hands of conservative Hollywood during the Communist Inquistion of the 1950s. If the shift sometimes appears unfair, it may depend on who's looking through the lens of history.

It probably comes as no shock that most artists are a pretty unconventional crew. This is due in part to their creative nature and because the very act of creating art itself needs a rather imaginative soil to grow and thrive. So, it's a safe bet that most Hollywood artists are liberal in their thinking and hence, in their politics.

Levinson chose the 1959 Kennedy-Nixon presidential campaign to make his point that: "Television is a medium that lends itself to manipulation, exploitation, and gimmicks. Political campaigns can actually be taken over by the public relation experts who tell the candidate not only how to use television, but what to say, what to stand for, and what kind of person to be." The movie focuses on some of the Creative Coalition's more visible members – Tim Daly, Susan Sarandon, Anne Hathaway – as they attend both the Democratic and Republican Conventions during the summer of 2008. Levinison's camera catches their roller-coaster emotions, from breathless and teary-eyed enthusiasm during the DNC's homage to candidate Barrack Obama, to their petulant "do-we-have-to-go?" resignation at the RNC.

One revealing scene occurs during an "open dialog session", facilitated by conservative pollster and communications consultant, Frank Luntz, during the Republican National Convention. He was asked (presumably by the CC) to moderate a discussion between Creative Coalition members and RNC campaigners. Levinson's camera pans the CC membership, all well-known actors, as the conservative campaigners voiced their concerns on the negative stereotyping that liberal Hollywood practices. Many in the CC entourage became visibly angry, defensive, and hostile. It was left to the more seasoned veteran liberals – Susan Sarandon, Tim Daly, and Ellyn Burstyn – to paint a pretty picture and sooth the hurt feelings all around.

Even the founder of the Coalition, the late Ron Silver, laments before the camera about the current polarization of the country, which is now coming from the left-wing faction. He saw a real danger in the "intolerance on the left", because they "are unwilling to hear arguments they don't agree with." Along the way, Poliwood is successful in interweaving television's complicity as a propaganda tool with the political processes of Washington. However, the scenes of Hollywood activists displaying their different shades of bias – however humanitarian - make a stronger statement about history repeating itself.