Despie my interest in post war films and all things Naval, I have not heard of this film. How I have missed it is beyond me.

George Baker is fantastic as the lead and Bill Owen, known to me as Compo, is a revelation. Richard Attenborough is perfect as always and the roles played by Bernard Lee and Virginia McKenna are small but superb.

I must now read the book to see how the author handled the many strands and ending, which is a little disappointing in the film. Few people in today's Britain understand the stress and strain on on those demobbed at the end of WW2 but I suspect that with growing redundancies of front line troops in Afghanistan, the stories and threads explored in this film will strike a modern chord.

The other commentator 'ianlouisiana' has summed this movie up pretty well.

It is a morality play with the little ship representing a metaphor of moral's decline.

A little heavy-handed at times, but it's engaging for all of that. There's a surprisingly good cast list for a story with such potentially limited appeal. Richard Attenborough, George Baker, Bill Owen, Vrginia McKenna and Bernard Lee could make even a turkey presentable.

An interesting cat-and-mouse scenario develops between the three smugglers - Attenborough, Baker & Owen - and the customs officer, played by excellent Bernard Lee. He has a confrontation with them in harbour during which he is arrogantly brushed-off by Attenborough, whom he describes as being 'Lah-de-da'. Later, in a near-catch out in the English channel at night and in fog, he hears their boat hurtling away, and immediately recognises the sound of its powerful engines. From that moment on they are marked men.

Things descend from high spirits to sordid crime and ultimately murder. And their spiral of disgrace is reflected in the declining reliability of their vessel and its final loss.

There's plenty of open-air photography with some excellent shots at sea. White-capped waves and bright sunlight contrast with the darkening human motives and claustrophobic interior.

Available on DVD, and well worth a whizz for all the right reasons. Though it's not a happy ending, even so.

Despite being downbeat and full of illogical ideas not least the title,this film still manages to be entertaining till the rather poor climax.So much of what happens is not properly explained.Why does Attenborough want to go in with Culver,how does Lee know that Attenborough will be at the garage.Why does Cilver shoot Lee,and of course the illogical notion that a boat has a soul.Poor old George Baker doesn't have a happy moment during this film.Everything is gloom.Attenborough plays the sort of role that he must have played dozens of times in the fifties.Incidentally since the craft was a Motor Torpedo Boat shouldn't the title have been The Boat that died of shame?