I only heard about this when the Blue Underground DVD first came out; of course, I was aware of controversial author Henry Miller, on whose novel the film was based - whose work, incidentally, was contemporaneously being transposed to celluloid for the first time via the late Joseph Strick's TROPIC OF CANCER (1970).

Anyway, it was merely a coincidence that I ended up acquiring the two film versions of the book (the other being the 1990 adaptation by Claude Chabrol) virtually simultaneously! Since I was going through a retrospective of that director's work anyway, I decided to check this one beforehand; well, I am glad that my generally negative reaction to it did not give me second thoughts about passing on the remake (as the latter was a more rewarding, and altogether different, experience – but more on that in its own review)! Anyway, I have never been fond of Erotica per se and this is pretty much what one got here: some critics praised the kaleidoscopic style adopted here (actually borrowed from Richard Lester) but this particular approach dates the film more than anything else. Besides, it is further bogged down by the lack of a proper plot (a fault which is much better disguised in the later version),revolting detail (the graphic sexuality on display got it banned in the U.S. on original release – atypically, this is a Danish picture shot in the English language and black-and-white) and characters who seem to have crawled from under rocks (especially the two leads)!

In essence, we follow the dreary and over-sexed exploits of two penniless bohemians (the more studious-looking of whom is supposed to be an alter-ego for the author himself); they become involved with several women, of various ages and nationalities, and not even that good-looking in many cases. Eventually, they both become attached to someone in particular but, with respect to the protagonist's companion, the girl in question is a 14-year old half-wit!; in the end, the film just ends abruptly as if its makers had suddenly run out of money themselves…or film stock or, quite simply, ideas! However, the eclectic score is a big plus – some of it typically French and the rest comprised of numerous conceptual songs by Country Joe (McDonald) of the psychedelic and radical "Country Joe & The Fish" band fame.

I first learned of Henry Miller when he appeared as a witness in Warren Beatty's "Reds", but his name really caught my attention in "Kill Your Darlings", about Allen Ginsberg's college years. In the movie, Ginsberg (Daniel Radcliffe) is interested in Miller's works, but the school bans the students from reading them.

Anyway, I've never read any of Miller's works, but Jens Jørgen Thorsen's "Stille dage i Clichy" ("Quiet Days in Clichy" in English) is a third-degree WTF. While I can't compare it to Miller's novel, I can say that this movie succeeds in being shocking, if lacking a coherent plot. Probably the only movie that I've seen that features any scenes taking place in Luxembourg. But overall, not anything that I would truly recommend, unless you want to hear unusual songs by Country Joe and the Fish.

I am a fan of Henry Miller and have read many of his books. When I saw a DVD of "Quiet Days in Clichy" on my local video store's "Staff Pick's" shelf, I excitedly plucked it off and read the back.

It sounded great, an artistic rendition of one of Miller's works. I took it home practically rubbing my hands.

As the previous reviewer commented, the acting is abysmal. Painful to watch. What a disappointment.

The photography is good. There are some (filming) tricks employed, but do nothing to salvage this failure.