RED SANDS follows a group of soldiers stationed in the Iraqi desert, during their stay strange things begin to happen when a mysterious woman stumbles into their camp.

The film has a very slow pace, something one of my friends found extremely frustrating about this film, during the first act it seemed that the storyline was almost non existent up until the strange woman stumbles into the soldiers hideout, then after that the film started to build this very unsettling tension that has you thinking there's something out there but you just don't know what it is, and it also sets an unnerving mood with the soldiers slowly but surely beginning to lose it, the acting is good considering the minimal character development, the cast clearly didn't have much to work with but they pulled of a decent job.

Overall, a good movie if you're the patient kind, but I can say that a lot of people will find the slow pace rather frustrating, because most of the time it will feel like there's no storyline, but its there, like I said if you're the patient kind.

Alex Turner, the director behind the small-scale demonic ghost feature 'Dead Birds', goes once again at the supernatural market (teaming up with 'Dead Birds' writer Sam Barrett),in his second feature with the based horror involving American soldiers encountering something otherworldly in the harsh, bone-dry deserts of Afghanistan (and has there been some Sci-fi presentations using that backdrop in the very terrible 'Monster Ark' and 'Manticore'). It throws up the usual plight that we see themed in these types of genre films in the last decade (Deathwatch, The Bunker and Outpost).

In-present day Afghanistan a small unit of American soldiers are positioned at an abandoned house in the middle of nowhere to control a strategic road that the Taliban are using. On their way there, they discover an ancient statue which one of the soldiers use for target practice. Unknowingly to them it unleashes a vengeful Djinn, who decides to take out its fury on them.

The main problem with Turner's 'Red Sands' is that it was all build-up, for nothing. Never did it consolidate any interest in the situation, and the characters are truly hard to care for. The basis is not as compelling as it could have been, because everything feels half-baked and inconsistent. From it's supernatural element to the mental breakdown of its characters in a foreign culture. This made the script poorly conceived, as not much depth is taken out and there's plenty of time to do so since is has the soldiers pretty much sitting around. Instead it wants to be vague, but this occasion there's nothing else going on to let that slide. It's not weird, creepy or relentless.

Not helping also is the plodding pace and repetitive nature of the actions with the lack of anything really threatening to construct an ounce of suspense, despite there always being a lurking menace (in the Taliban, Djinn or their own sanity's). The jolts when inserted don't have much effect, because of the close proximity (where they do come on later in the film). Disappointing in that aspect because the dusty local colour is atmospherically photographed and there's a genuine feel of place with its isolation and eerie shades. Some moments do create a dreamy, disorientating air and that's when the howling, uneasy music score awakens.

Turner's direction is polished in a visual sense, but while he keeps it tight, there's a real empty and lethargic style to it. The unhinged editing with its jaded dream sequences only grated. It's a real step down from 'Dead Birds', because there's nothing remotely creepy here. Sure it's going for psychological scars, where the friction between the soldiers becoming a tool for supernatural force, but the supposed tension feeding off that angle was dull and annoying. The characters are nothing more than your standard fodder. Shane West is the only recognizable face, and remains acceptable and Mercedes Masöhn has a hypnotic presence on screen. The special effects aren't so abundant, but when seen it's weak and clunky. The slipshod Djinn creation is very forgettable.

Unexciting, patchy and so-so execution.

Apparently a remake of an Islamic horror film, RED SANDS turns out to be an entirely defunct horror yarn and indistinguishable from many, many others over the years. The idea of a squad of soldiers stumbling upon a nameless and ancient evil has been explored in everything from THE KEEP to OUTPOST to DEATHWATCH, along with R-POINT, THE GUARD POST and many Hollywood B-movies besides.

I don't mind familiar plots in films but they do have their work cut out in terms of delivering decent entertainment, i.e. making up for the lack of originality by offering good scripting and direction. RED SANDS doesn't. The writing is clichéd, the direction is sub-par and the movie resorts to cheesy CGI effects time and again.

I admire the efforts of the unknown cast (and it is really unknown when SPIDERMAN's J. K. Simmons is the only familiar face they could afford) but they're on a hiding to nothing with this film, where the paucity of imagination leaves it an entirely wishy-washy and sub-standard affair.