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Remote Control

1988

Action / Comedy / Romance / Sci-Fi / Thriller

Plot summary


Uploaded by: FREEMAN

Top cast

Jennifer Tilly Photo
Jennifer Tilly as Allegra
Kevin Dillon Photo
Kevin Dillon as Cosmo
Deborah Goodrich Photo
Deborah Goodrich as Belinda
Dick Durock Photo
Dick Durock as Driver #1
720p.BLU 1080p.BLU
808.8 MB
1280*694
English 2.0
NR
23.976 fps
1 hr 28 min
P/S 0 / 4
1.47 GB
1920*1040
English 2.0
NR
23.976 fps
1 hr 28 min
P/S 1 / 6

Movie Reviews

Reviewed by gridoon6 / 10

Entertaining (mild spoilers)

Entertaining B-movie, with a strikingly original premise (a videocassette that turns those who view it into killers, distributed by aliens who got the idea from the actual film the cassette contains) and some witty touches (along with some silly ones). It would have benefited from a larger budget, which would enable it to have a greater scope (after all, we are talking about the destruction of the Earth here),but it will still make you nostalgic about the early days of "the home video revolution". (**)

Reviewed by Platypuschow3 / 10

Remote Control: A lot worse than you'd expect

I'd never heard of Remote Control, weirdly enough it got added to my watchlist out of curiosity when it was mentioned during the independent horror film The Bible Belt Slasher (2010)

Starring Matt Dillon it tells the story of a video tape doing the rounds at all the video stores that is making people lose control and kill those around them. Basically The Ring (2002) but really terrible, cheesy and not even remotely scary.

Remote Control is also the most 80's film I've ever seen, like they were intentionally going overboard with the decades style but not exactly explaining why.

The movie starts competently enough and even had a small role for the excellent Jennifer Tilly, but by the half way mark it's lost it's way.

Remote Control wasn't a very good concept to begin with, so combine that with some poor writing and you've got a mediocre film at best.

The Good:

Jennifer Tilly

The Bad:

Trails off really quite badly

Things I Learnt From This Movie:

Part of me really badly misses video stores

80's BDSM gear was awesome

Gunfire in the middle of a mall will get no reaction from shoppers

Guns are invisible to all those who aren't involved in the confrontation

Firemen will happily allow civilians to walk into a building they're currently working on

Reviewed by lost-in-limbo7 / 10

the video craze hits hard.

God I love Jeff Lieberman's work and it never seems to amaze me. 'Remote Control' is no different, and it's probably his most obscure feature. All this guy needs is quite a healthy budget to let those innovative ideas and visions truly evolve. What's lined up in the VCR (yep it's the glorious video era) is a B-grade Sci-fi retro spoof on 1950's Sci-fi set in modern times and the late 80s video boom that's mainly spot on with its send up, even with such limited resources and slight material. It's quite well done (in typical 80s spirit) and ejects rather an inventive premise that have aliens using an mind-controlling video which features an hilarious shoddy old-fashion Sci-fi film called "Remote Control' that sees the viewer becoming apart of the screen action and virtually losing control, killing anybody near. So it's up to a video clerk who discovers the secret to put a stop to it all. Something only the 80s could spit out.

From the get-go everything falls on the quirky and low-key side. It's daft, but it knows it and plays it accordingly with its often witty, but undemanding script. Where it builds upon paranoia and conspiracy laced inclusions, but despite its small groundwork Lieberman's able direction makes it work and the self-parody is hard to dislike. Even Peter Bernstein's music, expertly harked back to those eerie 50's sci-fi scores. The vibe that was created was perfectly pitched. Tim Suhrstedt's camera-work sparsely moves around and effectively judged which it's at its best during the attack scenes.

Little to no FX is used (which would be due to the considerably low-budget),but an attempt at story-telling and heighten suspense comes to the forefront. It works to its strengths and this is what makes it more so successful. Some passages can get slack or repetitive, but the pace manages to be snappy and the fashionable décor holds your attention. Not letting you forget what era this was from. There's convincing performances (done in mock-seriousness approach) from a reliable Kevin Dillon, a wonderful Deborah Goodrich and an all too short, but a perky Jennifer Tilly. No matter how small her part is, Tilly always does her best to leave an imprint on proceedings. I didn't think that Dillon would be strong enough to carry the lead role, but surprisingly he looks and acts the part.

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