In Ride A Crooked Trail a young fugitive Audie Murphy is forced to assume the identity of a famous US Marshal when he's seen with a broken badge that this marshal was known to wear. The marshal was killed on the trail, but Murphy had no hand in that.
This film is a treat for fans of Walter Matthau who plays a Roy Bean like judge who enforces his decisions with a shotgun that he wields to deadly effect. Being fast on the draw does nobody any good with Matthau having it out and ready to splatter an entire saloon full of outlaws.
But Murphy goes along as it fits into his plans to rob the town bank at an opportune moment. Gia Scala an entertainer from New Orleans and her outlaw boyfriend Henry Silva may spoil things. But Murphy has plans for both of them.
This is a decent enough Audie Murphy western, but Walter Matthau as the judge really makes this one special. Matthau did all kinds of roles before he became a star after the Oscar he received for The Fortune Cookie, some serious, some comic, some good guys, some bad. Here like Roy Bean he's the symbol for law and order in his part of the frontier, but like Roy Bean he makes it up as he goes along.
Audie's fans will like Ride A Crooked Trail, but for fans of Walter Matthau here's a chance to discover one of his more neglected performances.
Ride a Crooked Trail
1958
Action / Romance / Western
Ride a Crooked Trail
1958
Action / Romance / Western
Plot summary
After robbing a bank Murphy assumes the identity of his pursuer, a famous US Marshal, when he stumbles into a town and is confronted by the local judge, Matthau. Murphy is forced to remain as the new Marshal; an old flame, Scala, nearly unmasks him by accident, only to be forced to assume the ruse of being Murphy's wife. The "couple" given a house and respectability, which neither has had before. They maintain the charade to avoid hurting a young orphan boy, Matthau's ward. Scala is torn by her loyalty to boyfriend planning to rob the bank and growing feelings for Murphy.
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An opportunity to rob the bank
Matthau Outacts Murphy With His Arm In A Sling
Bank robber Audie Murphy is mistaken for a famous marshal by judge Walter Matthau and forced to be sheriff. He doesn't mind too much, because there's a shiny bank in town. Gia Scala shows up and masquerades as his wife. Other bank robbers show up and cut a deal for when the bank will be full, and double-cross him. Matthau grows suspicious.
It's a tale of the rocky road to redemption, and how much easier it is when people think you're a good guy. Matthau tries some flour in his hair and does an imitation of Gabby Hays playing Roy Bean, with his arm in a sling for a third of the movie; clearly this was a statement on his abilities as an actor compared to the other members of the cast. It's another of the competent "Shaky A" westerns that Universal starred Murphy in in this period, with a screenplay by Borden Chase.
Middle of the Street.
Ride a Crooked Trail is directed by Jesse Hibbs and adapted to screenplay by Borden Chase from a story written by George Bruce. It stars Audie Murphy, Walter Matthau, Gia Scala, Leo Gordon, Henry Silva and Eddie Little. A CinemaScope/Eastman Color production, music is by Joseph Gershenson and cinematography by Harold Lipstein.
A blend of the breezy and the beefy here as Audie saddles up as Joe Maybe, a bank robber who after assuming the identity of the detective who was sent to capture him, winds up as the sheriff of a corrupt town. Ironically it's the town he and his dastardly cohorts had planned for their next big robbery. But as Joe insinuates himself into the company of the town's better citizens, he begins to doubt his dark side.
It's pretty routine as per the bad man trying to turn good axis of Western movie plotting, but there's a good sense of fun running throughout. Murphy himself seems to really be enjoying himself in the role of Joe Maybe. Leading the front of frivolity is Matthau as the town judge, his capacity for alcohol is as legendary as his ability to find a quip or sarcasm in the most trying of situations. Many of the scenes shared between the two men are most funny, be it hangovers, court room shenanigans or generally sounding each other out, they make for a great pair of characters.
Of course all this good fun has to ease off for the plot to take its darker turn. Which brings in the villains and the action scenes just as Joe's conscience starts to gnaw away at him. Costuming is appealing, especially when modelled by Scala, Gershenson provides another one of his lively Western musical scores and Lipstein's Scope photography makes good use of the gorgeous scenery. It's a bit creaky in parts and Hibbs sometimes lets the pace sag, but this is good entertainment for Audie and Matthau fans. 7/10