'Samsara' tells the story of Tashi, a young Tibetan Buddhist monk, who renounces monastic life in favour of a relationship with a beautiful young woman named Pema. Together they have a child and as the story unfolds Tashi's life in the material world becomes increasingly complex and difficult.

The movie successfully captures the difference between the contemplative life of a Buddhist monk, and the worldly life of a husband. This is most clearly shown in the stark contrast between the opening sequence of the movie, where Tashi is in a long meditation retreat, and the sensual sex scenes later on.

The majestic landscapes of Ladakh, one of India's most remote regions, provide a pristine Himalayan backdrop. And the original soundtrack and chanting is haunting at times.

The movie has English sub-titles and moves along quite slowly with limited dialogue and many pregnant pauses. This may be disconcerting for some viewers, but to me this reflective mood seemed appropriate for the subject-matter.

'Samsara' could be said to build on the groundwork provided by popular movies such as 'Seven Years in Tibet' and 'Kundun', to provide a more authentic and detailed portrayal of the vicissitudes of life and culture in central Asia. (If you enjoy 'Samsara' you may also like 'The Cup'.) This award-winning movie can only enhance a growing interest in Tibetan Buddhism in the West.

This movie, which is supposed to be about Buddhist themes, are nothing but oppressive exploitation of naive viewers. Has absolutely no spiritual merits or makes sense in any way. Just avoid it. The lovestory is totally insignificant and has nothing what so ever to do with Buddhism. Why should we care about these ridicolous characters? We should not. Please don´t watch this movie, but watch instead something which takes into account the true value of Buddhism and Asian culture, religion and traditions.

In German philosophy (Hegel, Heidegger...) the quest for the nothing is an element of the growing evolution of life and death. I think the director of this movie, Nalin Pan, should study this philosophy because he tries to tell us a story that has already been told by the great German poets Goethe, Hölderlin and so on and which has been clearly elaborated by this philosophy. I think that Tashi (Shawn Ku) looses his time all the way and he is aware of it. So he goes into his profound spiritual tradition and is confronted with the "nothing" (das nicht-Sein). I liked the movie but after one hour I found that it was starting to be confusing and going "nowhere".