It's 1000BC. Samson (Victor Mature) is a Danite Hebrew in the village of Zorah under the domineering rule of the Philistines. Samson is in love with Semadar (Angela Lansbury) from a wealthy Philistine family. Her younger sister Delilah (Hedy Lamarr) is infatuated with the brute. He kills a lion with his bare hands while with Delilah but Lord Saran (George Sanders) doesn't believe them. He is awarded a hunter's prize after beating Garmiskar in wrestling, but he takes Semadar's hand in marriage instead. Semadar was originally promised to Ahtur (Henry Wilcoxon) and he's not happy. Ahtur brings his 30 warriors to the wedding. Samson has a riddle and makes a bet for 30 cloaks with Ahtur. The jealous Delilah pushes Ahtur, and he frightens Semadar into betraying Samson. Samson robs passing Philistines to pay the debt, but Delilah's scheming isn't finished. She convinces her father to marry Semadar off to Ahtur while trying to get Samson for herself. It all crumbles as Samson battles Ahtur and his 30 men. Samson escapes but Semadar is killed. He burns everything down and Delilah vows vengeance against Samson.

The Technicolor looks brilliant. There is a nice stunt wrestling a real lion early on. Of course, Victor Mature is wrestling a stuffed lion. He is a big guy and he plays Samson as a self assured brute. The acting is not subtle. Hedy Lamarr is playing the vixen for all her worth. Her acting is extremely broad. This is a grand epic from Cecil B. DeMille. It's all very old fashion in everything from tone to style to acting. I doubt that I should count that against it. It is simply an epic of a compelling biblical story.

I first saw this as a kid in the early 80s n was blown away by the lion fight sequence n the climax scene of that of Dagon's towering idol.

Saw many times aft that n coincidentally revisited it again on this Easter (04/04/21).

This one is a classic action movie n i still found it very captivating.

The film was very violent for its times. Samson using a jawbone of a donkey to crush skulls like eggs thru helmets is very brutal.

The film's special effects are noteworthy and the most spectacular special effect in the film is the toppling of the temple of Dagon.

By the time the 1940s were rolling around, Cecil B. DeMille was doing a lot less work, but the work was getting more expensive. DeMille took off a couple of years now between films to create the opulent splendor that typifies his work.

Well Samson and Delilah abounds in opulence. The color cinematography is first rate and reason enough to see the film. Of course it has the usual stilted dialog that is common in DeMille's costume work. But one has to remember that DeMille made his show business bones with David Belasco in the Edwardian era. And that's how folks talked in those Belasco plays.

Acting honors in this go to George Sanders as the Saran of Gaza, Philistine ruler and sophisticated cad. This was the height of Sanders career, he received a Best Supporting Actor Oscar for All About Eve the same year. I think the Saran and Addison DeWitt would have understood each other very well.

Angela Lansbury is the original object of Samson's lust and she does okay, but personally if you had the choice between Jessica Fletcher and Tondelayo, who would you choose? Is that ever a no-brainer.

DeMille got a couple of loan-outs to play the leads. Hedy Lamarr could easily lay claim to be the most beautiful woman in the cinema. She never had much acting skill, but all she has to do is be seductive and that no one could do better.

And Victor Mature away from his home studio of 20th Century Fox where he was languishing, Samson and Delilah provided a whole new vista for him with roles in spectacle pictures where he could truly be that beautiful hunk of man.

Fay Holden is good as Samson's mother. In modern times I can just hear her telling him about settling down with a good Jewish girl.