This fabulously fetid flick may very well be the foulest, most offensive and utterly insalubrious hunk of disgusting biker exploitation junk to ever ooze its vile way onto celluloid. In fact, if this wonderfully rancid cheeseball was any more slimy and abhorrent, the negative would probably have fungus growing all over it. A thoroughly despicable gang of cheerfully repugnant Harley hounds led by a deliciously hammy Russ Tamblyn kill old geezers Kent Taylor and Scott Brady. They incur the wrath of take-charge, no-nonsense Vietnam veteran Gary Kent, spike a group of young girls' coffee with LSD and rape 'em while they're tripping, and generally conduct themselves in a rather distasteful, anti-social and unruly manner which could be most politely described as somewhat lacking in proper decorum. The remarkable Regina Carrol really ignites the screen with her searing portrayal of Tamblyn's delectable motorcycle mama Gina, "the freak-out girl" (Carrol's slutty tabletop dance at a grungy diner rates as a definite highlight). Future schlock movie director Greydon ("Without Warning") Clark also scores with his offbeat turn as Acid, a doped out of his skull biker whose brain has become irrevocably addled due to the ingestion of far too many sunshine tablets. Fellow future schlock movie director John "Bud" Cardos likewise impresses as Mohawk-sporting Native American biker Firewater. Gary Graver's chintzy cinematography captures the assorted sordid antics in all their ghastly glory. The opening credits theme song "Satan" smokes in no uncertain terms: "I was born mean/By the time I was twelve I was killin'/Killin' for Satan". This inarguable sludgewad masterpiece was made by the late, great Al Adamson, who also blessed us with such choice nickel'n'dime drive-in dross as "Dracula vs. Frankenstein," "The Female Bunch," and "Death Dimension."

I watched this dud just because Russ Tamblyn was in it :why on earth did he have to get involved in that business? Tamblyn plays the leader of a pack of Hell's Angel's who spread panic and bring death and destruction to the region.The prologue is particularly obnoxious : a scene of rape and the victim seems to appreciate bestiality.

But the movie is outright reactionary: that long-haired youth is fatally dangerous ,but fortunately the clean cut kid,a former marine,is here to save the damsel in distress in miniskirt.THe hero utters this hilarious line :"in Vietnam,at least,I was paid when I killed someone".

Russ Tamblyn sank really low :he's best remembered for " the last hunt" "west side story" and the extraordinary horror classic "the haunting" (1963)

SATAN'S SADISTS is a rather depraved film. While it is much better than the usual Al Adamson film, this isn't saying much since in his other films he set the bar so low! The reason I chose to watch such a bad film is that I am a bad film addict and have already seen about a dozen of Adamson's films.

The film is about a group of seven bikers who drive around tormenting people. For 1969, it's incredibly violent and ugly--featuring rapes, execution-style murders, a man being drowned in a toilet and many other rather depraved activities. And, amazingly, they're all pretty graphic.

The Sadists all descend upon a café in the California desert and by the time they're through, most of the innocent people there are dead. Two folks are able to escape and most of the film consists of the bikers trying to catch and kill them, as they were witnesses to some of the mayhem. One by one, however, the bikers are either killed off or kill each other in completely stupid ways. For example, having the biker chick (Regina Carroll--Adamson's wife) kill herself the way she did of the druggie biker shoot himself just seemed silly, though it did help to even the odds a bit.

The film features occasionally bad acting (though some was good, I must admit),tons of sick violence and some of the worst camera work I've ever seen in a film. While I am sure that filming in the desert isn't easy, too many blown shots weren't re-done--with many being so blurry as well as very, very poorly centered shots. As a result, no one other than Adamson can be blamed for the film's worst attribute. There scenes should have been edited out or re-shot--not stuck in simply for economy's sake.

Overall, it's a bad film that is, at times, exciting to watch. However, because it's so unrelentingly sick and mean-spirited, I honesty can't recommend it to anyone...even blind people!