I can recall seeing Joanne Dru many times in films while I was growing up, noticing that she always seemed to have a rather large mouth. Time has changed things. Her mouth looks rather normal now, but her beauty has increased quite a bit. She has never looked better! The film, however, needs some work. The photography is simultaneously good and bad. Good underwater work, but overall it's grainy. The story, about lost treasure, and the acting by everybody else is so-so at best. Joanne did well. Still, I can recommend this film on the beauty of Joanne and the underwater scenes, which were very well done. I gave it a 7.

Surprisingly good adventure film featuring Joanne Dru, as captivating as ever. Actually she's even better than usual.

An old-fashioned treasure hunt in a Mediterranean setting. Perhaps I have a soft spot for this largely forgotten film because it takes me back to vague childhood recollections of vacations spent in and around the Ballearic islands. Watching it now is like taking a holiday back to those simpler days.

A few twists and turns in the plot keep things interesting; some are variations on familiar themes and story lines, but ultimately September Storm takes on a life of its own. Let down somewhat by a few of the special effects, but if you can suspend your disbelief somewhat, you'll find a film that could have used some extra finesse, but is essentially well put together.

Gorgeous settings and underwater photography have been poorly cropped by pan and scan and as a result the action doesn't read as well as it should. Much better than expected overall. A very pleasant piece of escapism.

You have to see it to believe it!

Pleasing skin-diving adventure, simple-minded but satisfying, has a young native of Majorca attempting to woo a pretty New York model with big talk of the boats he owns; turns out he's just the caretaker of the sailing vessels, and ends up stealing one for a three-week jaunt after two adventurers convince the couple that a million dollars' worth of gold coins went down with an African ship in the Mediterranean. Based on Steve Fisher's uncredited book "The Girl in the Red Bikini", the film (originally presented in CinemaScope and 3-D) allows Joanne Dru to let her hair down for once. Ofttimes cast as a frontier wife or nurse, Dru proves to be an attractive partner in the plan, even as male-female tensions aboard ship threaten to erupt. The action is slow in coming (a rather sleepy shark swims by twice, and a Portuguese Man of War stings Mark Stevens somewhere on his body),but the colorful locations and underwater photography make up for the lack of plot and wooden line-readings. ** from ****