I read about 20 from the currently 350 reviews here and as far as I've seen, nobody seems to mention 2 key scenes which seemed very important to me, so I'd like to add my two cents here, a different attempt of interpretation.
First key scene: the teacher scene. We witness how completely the children absorbed the doctrine of Wilford. The train manager became a benevolent deity, the system is never questioned, and the train must go on forever. The teacher is a sycophant, very much like Mason. What future do the children have if they are not allowed to think critical?
Second key scene: Wilford's monologue when he explains how sacrifices have to be made (only by others, i.e. the lower class). If the system can only continue by murder, then mankind survives by inhuman means, although Wilford sees himself not as the leader who created the train and the system, but as just another cogwheel in the machine. Therefore he expects that a younger man might replace him when he is too old, without any change to the system. He cannot imagine any alternative, but others can.
In conclusion, what matters is that the train must be stopped somehow to get out of this treadmill. Other reviewers have asked: is it possible to survive in the cold outside, wouldn't it be safer to keep going with the train. I think they fell right into the trap here that the movie makers prepared. Because just like the train is going in circles, returning every year to the same places, we are living our lives in circles, safe but in a society that loses its social qualities, as you can see quite often in the treatment of children or elderly people, for example. The revolution, as the film makers describe it, wants to break the circle and start a new life that may be less safe, but challenging and more human. I think people who ask: "wouldn't they freeze to death outside?" take the allegory too literal again. The frozen world outside represents the unknown, something you take careful glimpses at from the window, but whether it's 5 degrees below zero or 25 is hardly the point. The train itself was a better allegory than a ship or an airplane, because these do not strictly stay on the same tracks when they sail or fly around the planet. The polar bear at the end shows that life outside is possible, but one must try and face the unknown instead of continuing the same old evil.
I liked 'Snowpiercer' a lot as it gives much food for thought, but I wouldn't call it a flawless masterpiece (voted 8 of 10). The killer shooting through the window, the decadent upper class passengers in swimming pools or the traitor among the lower class passengers are too much of movie clichés. The question of how food is produced was answered much more terrifyingly in 'Soylent Green' decades before, in 'Snowpiercer' it was just good enough for a quick shock effect. But don't these little niggles stop you from watching this very interesting movie.
Plot summary
Set in 2031, the entire world is frozen except for those aboard the Snowpiercer. For seventeen years, the world's survivors are on a train hurtling around the globe creating their own economy and class system. Led by Curtis (Chris Evans),a group of lower-class citizens living in squalor at the back of the train are determined to get to the front of the train and spread the wealth around. Each section of the train holds new surprises for the group who have to battle their way through. A revolution is underway.
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There is always an alternative
Wastes too much time on pointless action instead of developing its ideas
Snowpiercer could've been a great film (and it is probably a good story),but it turned out to be a 2hr long collection of weird scenes, pointless action, overacting and slo-mo.
The ideas are there. And...well, at least 2 characters are in the film. Can't really say about other 5 people who we know nothing about even in the end. It looks like a lot was lost in the adaptation for the screen. I mean, some characters are distinctive enough to be memorable, and they are probably important for the story, but since we have no time for them they just mostly die and we can't care cause we don't know anything about them. It's like they wanted to show all the important characters from the reference material but they had no time for them anyway.
This could've worked on a purely thematical level if they would go a little more symbolic on this.
Buff the run time a little, make it somewhat more boring, remove the pointless action (leave only the starting one to reference revolution and violence). Make each of the cars count (some of them were significant, like the education part, the aquarium had important dialogue and stuff but the sauna one was just a waste of time). Dwell more on interesting dialogue (which is there),develop the characters, make us care.
Instead a miscast Chris Evans embarks on a journey that never really affects him, tells his life story in an expository monologue and ends up taking stupid decisions that lead to horrible consequences. No interesting twists, nothing. The Korean guy barely even talks, the girl is supposed to represent a younger generation but she has nothing to do in this film.
I think the above mentioned is the only way this film could've worked. Going grounded and realistic with this can never work, there's just too many plot holes to take.
For all the great production design and value, this film ends up being a waste of 2 hours of your time.
Dark social science fiction
Snowpiercer was a surprise to me. I thought it would be just another "social commentary" dystopian film trying to ride the coattails of The Hunger Games craze. Instead what I ended up getting was one of the best post-apocalyptic films I've ever seen. A smooth roller coaster of action and quiet, dark dialogue.
And don't get me wrong, it is another "social commentary" dystopian film, and yes, perhaps it's riding The Hunger Games craze just a little bit. But, when that riding ends up producing a film of this quality, is it a bad thing? And it's not like The Hunger Games invented the idea of alternative future where the poor are trying to usurp the rich people that are controlling them from their towers of ivory. These are both just variations of Orwell's 1984, which draws heavily from the age old tale of the underdog, David versus Goliath.
It's the execution of an idea that makes or breaks a film and here that execution is nigh flawless. Everything from the design of the train to the A-list cast of actors to the storyline that keeps up the relentless pace, but still has time to reflect on the motives, histories and moods of the characters.
Snowpiercer is simplistic art. It doesn't try to win you over with limitless of details, high explosives or flashiness. Rather it takes a central idea and fills it with as much quality as possible. Highly recommended for all fans of science fiction out there.