Leo Borlock moves to a small Arizona town with his mother after his father's death. His new school is a place lacking in hope which is highlighted by the school's empty trophy case. He joins the marching band and has his group of nerdy friends. One day, homeschooler Stargirl Caraway (Grace VanderWaal) joins his class. He falls for her immediately and her quirky hopefulness infects the entire school.

I have to admit that I thought this has something to do with the DC character. That went away quickly as I watched the movie. Then I hoped that this has something to do with Starman. That would have been interesting but not to be the case. So we march on. This is a rather standard coming-of-age teen movie with a rather standard manic pixie dream girl. It is not something to be hated. The kids are adorable. I don't know anything about Grace VanderWaal. I watched a couple of America's Got Talent episodes but not her's. She has a sincerity which is very endearing in a manic pixie dream girl and her singing has the same sincerity. The boy is equally endearing. They make this movie endearing. I do have to say that the drama isn't that well written. I do not like that the whole school turned on her over leaving the game. It needs setting up. It needs magic. It needs fantasy. The whole school needs to be under her spell. It comes late to the game. Flowers need to be sprouting under her feet. Song birds need to be dressing her in the morning. That turn needs help and also it needs to be shown not told. On the other hand, I like the bike idea and that's an easier concept to make the dramatic turn. It is more internal and more about her character. It is grounded and it doesn't need the big setup. It does need the little brother. Quite frankly, it fits. It fits the birthday ties. It fits her and it doesn't need fantasy. I'm not going to claim that this is breaking any new ground. VanderWaal could have an interesting career although I don't know if she is going to breakout. This is a nice Disney movie for the whole family.

One of the great ironies of this film is that the choreography was done by Mandy Moore who, not so long ago, would herself have been starring in this "vehicle." That said, VanderWaal, a legit child phenom if ever there was, acquits herself well in an under-stated performance, doing most of her numbers almost acapella. The film starts slow with no gimmicks and builds nicely. VanderWaal does indeed have a future in film. If she wants one.

This film is exactly what you'd expect from a screen adaptation of the Stargirl novel made by Disney and starring Grace Vanderwaal.

It carries over all the issues I have with the novel - the eponymous Stargirl is a supernaturally perfect "manic pixie dream girl" who is too good for this Earth. She exists only to inspire all the students to become quirky and aspirational non-conformists, almost like some sort of religious prophet. Her character is a little toned down from the novel, where she is actively disruptive and does things like saying "United Turtles of America" in the American Pledge of Allegiance. This adjustment makes the film a little more bearable to watch, but it also removes anything genuinely interesting or entertaining about her. Now the only thing that sets her apart is that she has a strange name and wears colourful clothes, which makes me wonder why anyone notices her.

Another issue of the adaptation is the acting and characterisation. Leo has been reduced to a stammering mannequin. Stargirl is just a mannequin. No offense to Grace Vanderwaal; she is a great performer but seemed perpetually dazed when acting. Maybe this is her way of showing how carefree and otherworldly Stargirl is, but to me it just seemed like she was constantly dissociating. Everyone's personality is toned down to the point of one-dimensional blandness.

The Disney production has shaped this movie into a strange style where the plot is constantly contrived and cheesy, yet it is shot as if we are supposed to take it seriously. There are many unrealistic moments that serve only to hit pre-defined plot beats without much of a compelling reason or build-up. Examples include Stargirl's sudden popularity/infamy, many spontaneous musical performances, obligatory romantic focus on protagonist Leo and inexplicable success in the speech competition. In a usual Disney sitcom this would be presented in a stylised comedic way, but here it is imbued with so much lingering pathos that it presents an identity crisis for the very film itself. Do you want to be a deep teen drama with relatable issues or a quirky comedy with over the top characters and events? Make up your mind.

If there's anything good about the film, it's the production values. The cinematography showed the scenery in gorgeous deep tones, the choreography was skillful (if misplaced) and the sets felt like the book's settings come to life with character. It's a shame that this skill was wasted on such an indecisive and contrived adaptation though.