"Bobby" (Tommy Davidson) is a young black man working as a mail clerk in a large firm with aspirations of getting ahead. Unlike his mentor, "Waymon Tinsdale III" (Joseph C. Phillips) he doesn't have the temperament it takes to work in a management position. He's too brash and hip. However, he has connections and one of them just happens to be "Natalie" (Halle Berry) who Waymon is just dying to meet. So Waymon promises Bobby that he will get him into the training program if he will introduce him to Natalie. At the same time however, Waymon is working on a huge business deal which can either make or break his career. Along with that there is at least one person named "David" (David Marshall Grant) who would rather have him fail miserably. Anyway, so much for the plot which has been used in one scenario or another many times before. That said, there really wasn't anything special or unique about it. The acting was adequate but the only person who stood out was Halle Berry who was absolutely gorgeous. The bottom line is that this is a film that is a bit light on comedy but cute all the same. It's not great-but it's not bad either. I rate it as average.

I must say, they surprised me. They surprised me by saving this movie. This movie was headed down the toilet and in the final hour (figuratively) they saved it.

Waymon Tinsdale (Joseph C. Philips) is a financial broker for a big time New York firm. He is successful, black, and extremely square. They went way over the top in conveying that he was not hip and "whiter than the whitest white man" as stated by his friend Bobby (Tommy Davidson). It was just cringeworthy how out of place they made Waymon around other black people. I wanted to scream looking at him attempting to fit in.

Then, for as intelligent as he was, they conveniently made him brainless trying to chase after Natalie (Halle Berry). Now, it's not out of the realm of possibility that a man would lose his head over Halle Berry, not at all. I"m sure there are a plethora of brilliant men that have lost their marbles over a beautiful woman, but it didn't fit in this instance.

As the story and the actions of Waymon seemed to get more and more absurd they flipped it for a fairly brilliant ending. In fact, I was on my way to rating it a 3/10 or less but the ending prompted me to rate it a 7/10. I had a problem with some of the tropes but they were bearable. "Strictly Business" was a very positive movie after all with showing African Americans in a positive light regardless of what side of the tracks they grew up on.

I'm not sure if it's because people don't like popular actors' earlier works or if it's just because the movie was released in 1991, which is considered to be old now, but viewers have the tendency to find lesser value in these kinds of films. Yet, there are various actors here that should help make the viewer at least give it a watch for curiosity. Seriously, Samuel L. Jackson, the guy who played Nick Fury from The Avengers (2012) and Mace Windu from the three Star Wars prequels is in this movie acting as a balding grumpy boss at a business firm! It's quite comical to see him in this kind of role.

The premise is very basic, a businessman finds the girl of his dreams but can't find a way to meet her. Luckily, he has a friend who can get him inside the world she lives in so he can finally be happy. The businessman who only knows how to be a "business man" and nothing else is Waymon (Joseph C. Phillips). Waymon is the best portrayal of how backward someone's life can be depending on how they're brought up. To show this, Phillips makes Waymon look like a stiff, a guy who can't adapt to something different or new; a book worm. That's very relateable because a lot of people are like that when it comes to trying new things and breaking their comfort shell.

The person who will introduce Waymon to this change is Bobby (Tommy Davidson) who apparently lives in Harlem; in other words, his type of demeanor is quite the opposite of Waymon. This is what makes various scenes funny because of how Bobby acts with his co-workers and Waymon. The girl that Waymon wants to get to know is Natalie, played the ever so popular Halle Berry. May I mention that this is only her second theatrical release where she actually plays a more significant role? But even here, she puts in a nice performance, although it could be said that she's just here for eye-candy (which should be a reason to watch this I would think). The rest of the cast also does a good job in doing their part, so no complaints here.

Pam Gibson and Nelson George who did the writing have a decent script here as well. I am surprised to how many times the "N" word was spoken; yet I feel now that if it were left out, it would not have felt as authentic. The subplots are also rather typical but it's forgivable because how much charm the main actors give their characters. There are several genuinely funny scenes in this movie as well. Most of these scenes are the exchanges between Waymon and Bobby when Natalie is around.

However, the one thing I found a little unrealistic is how certain characters had connections to important people. I mean, I know it's possible but both characters have to have some kind of status on the corporate latter, not just one, unless it is one of those rare cases. So I was a little confused on how they met. No explanation was given, that could have at least been explained. Lastly, the musical score provided by Michel Colombier didn't have a main theme but it did carry a consistent tone, which pleased me. A lot of the music played carries culture and continually sounds upbeat and energetic. That always helps a movie, especially if its genre is romance/comedy. It's all around a solid movie.

Not only does it contain performances from actors in their earlier days but it also has a good story to go along with it. The character portrayals are also well scripted.