"Sweet Liberty" is quite a surprise, as Alan Alda wrote, directed and stars in this film...something he also did with "Betsy's Wedding". And, I was actually impressed with all of the roles he took on in this most unusual film.

The story is set in some small town where Professor Burgess is a history teacher. But the entire town, as well as Burgess' life, are thrown into a dither when a movie crew arrives to film a movie based on one of Burgess' books. During the process of making the film, Burgess learns a lot about the filmmaking business....most of which is disappointing to say the least. The biggest disappointment is that the screenwriter (Bob Hoskins) has completely butchered his Revolutionary War story....and Burgess spends much of the film working to make sure the film is as good and historically accurate as possible...given that many of the folks making the picture are bonkers and couldn't care less about realism!

This is a movie where the plot seems less important than the characters and dialog...which I don't think is a bad thing at all. Character driven stories are often delightful...and Alda's dialog and characters truly are delightful. In fact, it makes me feel sad that he didn't write more films. It also makes you wonder how much of the weirdness of the story represents the real eccentricities of the filmmakers and actors...especially Michael Caine's incredibly strange and semi-unhinged character! Overall, a lot of fun and a film which really is unique and memorable.

Michael Burgess (Alan Alda) is a simple college history professor. He had written a serious Pulitzer winning book about the American Revolution which is being turned into a movie. The production has come to town and everybody is excited. He is shocked when the scriptwriter (Bob Hoskins) tells him that his book has been turned into a bad comedy. The director (Saul Rubinek) does not care. Elliott James (Michael Caine) and Faith Healy (Michelle Pfeiffer) are the lead actors in the movie within the movie. This also stars silent film legend Lillian Gish.

Alan Alda stars, writes, and directs this satire of a Hollywood movie production. It's mildly humorous. It tackles a satire-rich environment but pulls its punches when it should be going for the throat. The movie starts off right with good turns from Hoskins and Rubinek on the consultation. After that, the only one truly going for it is Michael Caine. His sword fighting is the most memorable part of the movie. In the end, the movie doesn't have enough comedic power to deliver the knockout punch of a great satire.

It was not too much of a strain for Alan Alda to do Sweet Liberty as his character of Hawkeye Pierce from MASH stepped right from the small screen to the big. Imagine Hawkeye as an American history professor writing a book on the southern theater of the American Revolution and you've got a start to Sweet Liberty.

Alda has not only written a book, but it was so good that he got some big bucks from Hollywood for the screen rights. And the company is going to film on location in North Carolina where Alda teaches history at a college and where he participates in the annual recreation of the Battle of Cowpens. But one read of what the Hollywood writers have done to his work and he's ready to sue.

Well that's not going to work because they've got the contract and the lawyers to back them up. How to salvage his work, for that he turns to screenwriter Bob Hoskins to help him navigate the ways of the movie business jungle. Hoskins too would like to see his name on something worthwhile and maybe Academy Award winning.

This involves Alda wooing in a different way stars of the film Michael Caine and Michelle Pheiffer. Caine is quite a wooer himself and the best performance from the supporting cast is that of Lois Chiles who plays Caine's wife who's decided he's been on too long a leash.

But in the scenes he's in Bob Hoskins truly steals Sweet Liberty. He's the quintessential Hollywood man who drags Alan Alda along through the highways and byways of movie speak. Saul Rubinek is also good as a most harassed and egotistical director.

I would like to have seen more of Lillian Gish playing Alda's dotty mother who wants to hook up with a bricklayer she had a LONG ago fling with. It's that way with Alzheimer's patients they remember something from ages ago, but not what they had for dinner yesterday. All I can say was the sex must have been fabulous.

Sweet Liberty is nice sparkling comedy about the business of making movies.