In other reviews I have talked about the hidden eco-system within the modern film. It is a system with its own boundaries and borders and rhythms. Most Hollywood films do not explore the possibilities of this world in depth, but Sobel more than makes up for that in this film. Every shot, every scene, every nuance of the incredibly sparse dialog shows you what is possible, how to get the most from the least.

It is a good solid effort and if you are hooked by the opening premise, you will be hooked all the way through.

That said, I was surprised when I read the IMDb "summary" for the film because the information there goes far beyond the clues and puzzle pieces in then actual film, and frankly that summary "assumes" the viewer has access to more information about the story (right off the top) than than most viewers will actually have.

The acting is first rate. Watching what happens when the world's most naive 17 year old boy meets the world's most sophisticated 9 year old "Lolita" is like watching a play within a play. And works on many levels since, in spite of the sparse dialog, the story itself is like an onion, with layers to peel back as you try to understand it.

Big fan of Weigert ever since Deadwood, where she stole entire episodes from heavyweight actors.

Recommended.

A young man visiting relatives in rural Nebraska goes into a barn to play a game with a 9 year old cousin. She emerges screaming from the barn with a blood-stained dress and, to put it mildly, things go downhill from there.

The strongest element of this film is also the element that makes it the most frustrating as a viewer--namely this is a movie that commits completely to holding the point of view of the main character, Ryder. There are undercurrents of emotion and resentment roiling beneath the setting of a folksy family reunion, in particular some very strained and strange dynamics between Ryder's mother and her brother (the father of the 9 year old girl). Ryder is totally lost at sea because not only is he on unfamiliar ground (a gay, California city boy out in the country),but his parents and especially his mother behave in a seemingly irrational manner as events continue to escalate.

By the middle of the movie I was thinking "Will someone just PLEASE explain what is going on here?!?!?!". On the one hand, I appreciate that this is exactly how Ryder himself must feel. But on the other hand, I got anxious and frustrated waiting for the film to reveal the background context needed to understand what was happening--to the point that it was hard to sit through scene after scene of coded conversations and meaningful looks.

I thought that the acting was very strong across the board, including the children.

Aside from feeling like the limited point-of-view was a double-edged sword, my only other criticism is that there were certain character actions that were just way too illogical or dumb. For example, despite the fact that he was all but accused of molesting his cousin, Ryder several times allows himself to be alone with other young girls without any other adults even in earshot. I just didn't believe it. Why if you had been accused (and also implicitly threatened) would you ever allow yourself to be in a position again where there were no witnesses to your behavior? There were a few character decisions (necessary to move the plot along) that didn't feel like real character choices--and they stand out because for the most part the acting and writing does come across as very realistic.

Generally speaking this is one I'd recommend, especially if you can watch it for free on a streaming service as I did.

So weird...although all the reviewers that say it's a thinker are right but damn it's still not worth the time wasted watching it to find out the OLD SECRET fueling the extrenely annoying mom character's perma-almost cry face. Ick. Hated it. And no closure..