With the help of a good friend, an orphan becomes a Shaolin master after many years of training. He wants to find the murderer of his parents some day and have his revenge. The most interesting bit is the training, though, when he needs to stand against 18 bronze men! The movie is known for making Carter Wong a star, but it was an influential movie beyond that. The villain needs to be mentioned; he has several bodyguards dressing just like him to confuse his enemies.

The difference in running time between the German version (77 minutes) and the Hong Kong version (93 minutes) is mostly due to a different beginning of the movie. The rather cruel early years of the boy's training were added to the Hong Kong version, although that footage was shot for "The 8 Masters" by the same director.

After having made kung-fu films for nearly a decade, Joseph Kuo at last received international attention with the release of The Mystery of chess Boxing (made famous by the Wu Tang Clan, one of whom adopted the name of the film's villain, Ghost Face Killer). I've always thought this unfortunate, first because Chess Boxing is clearly derivative of the Jackiee Chan film Snake in Eagle's Shadow (which is much better paced),and secondly because Kuo was close to the closure of his Chop-socky period and only had one more great film in him, Shaolin Temple (AKA Shaolin Temple Strikes Back).

At any rate, 18 bronzemen is without question Kuo's real masterpiece. Well-produced, lovingly photographed in a manner to pay homage to the golden era of Shaw bros. studios of the 1960s; the MeiAh DVD appears to be a mint condition restoration of the original film - it is really beautiful to look at.

This is, indeed, one of those films that demands the audience think hard before dismissing any genre movie, just because it is a genre movie. (Another example from a different genre is John Ford's Stagecoach.) Yes, the story is of your "typical" historically-oriented kung-fu flick of the 1970s. But everyone connected to the film has dedicated enormous amounts of effort to bring together a vision of this martial-arts universe that makes it not only believable, but sensually pleasing and intellectually stimulating as well. Of course we're not talking about grand drama - but film is an art of motion, and a visually beautiful film doesn't necessarily need grand drama.

However, those dramatically inclined should be aware that the actors in this film are really giving us their best - This is certainly Carter Wong's finest performance, and it may be Tien Peng's as well. The reason for such commitment is clear - the film's story carries a theme of loyalty and courage which the Chinese value very highly.

The long training sequences at the beginning of the film (which are among the best on film) are actually reflective of this theme - Shaolin Temple has a very demanding martial arts program, demanding full commitment. Dedication to training is a loyalty as well, and the film is quite clear on that point.

I suppose those unwilling to give any genre film (or at least any kung-fu film) a viewing with an open mind should be warned away. Otherwisedon't hesitate to view this film given the opportunity. And if you do find the dubbed American release out on VHS during the 1980s, be aware that the Amereican dub version is badly panned-and-scanned, using a an old runny-color print for transfer, and that a good 10 minutes of the film were hacked off (to no purpose that I can tell),leaving the plotting difficult to follow at times. But even that version can leave a positive impression of the main line of the story, the acting, and the performance of the martial-arts.

One last word: The film utilizes two child-actors at the beginning of the film; these are among the very few child-actors that I can watch without disappointment or disgust. (My sense is that this is actually due to Kuo's direction.) Bottomline: Classic of its genre - and maybe a little more.

Being a Kung Fu practitioner and cameraman I naturally watch a lot of old Kung Fu flicks. But until recently I've never even heard of "The 18 Bronzemen". I stumbled across it due to a reference in the game "Sleeping Dogs" and found the title and imagery very intriguing so I figured I'd give it a try. Unfortunately I could only get my hands on the cropped 4:3 release which really ruins the composition of every shot and makes the fight scenes nearly incomprehensible. Nevertheless the first half was just what I imagined and highly entertaining. Which is why I kept on watching despite the horrible cropping. Those bronze warriors are an amazing Idea and also pretty well executed. Combined with the mostly gray scenery this produces a very unique and aesthetic visual appeal. Sure, the costumes could've been more detailed but still, it works. The fights against Bronzemen are like the final exam for our protagonist and are intercut with training sequences. I was always looking forward for the next scene with the Bronzemen. I mean, this is basically the title of the whole movie so there have to be more scenes with them, right? Right?!

After what felt like 10mins. with the Bronzemen the protagonist leaves the temple behind and the whole ordeal is never mentioned again. What we get now is a standard revenge plot and sub par choreographies. This drags on for the rest of the film....

Why would you do that? Why would you throw away such a great idea that worked so well? They obviously knew the value of what they had - they named the movie after it!

Personally I would recut it. Focus on the training in the temple and the quest of beating the Bronzemen. And after the Protagonist and his friend have mastered this challenge the abbot sends them on their way to serve their country and the people. They wander off down the mountain while the credits roll. MUCH better movie just like that. Instead we get this....