First time I saw this series in the seventies I was fascinated by everything on it. I felt as if I was Pinocchio´s character and I felt the love of his golden heart father Geppetto (brilliant and sentimental performace by Nino Manfredi) and guided, protected and loved by the fairy (Gina Lollobrigida),in to me her most charming performace ever. Andrea Balestri (the human Pinocchio) performance was to me very nice; I remember the touching moments of him crying beside the fairy grave, and the happiness of him and Geppetto when they realized that Pinocchio would be human forever. Fiorenzo Carpi´s score is very nice, and I never forgot it.

This Comencini version of the adventures of Pinocchio is the most fateful to the original novel and also perhaps the best, including some of the biggest names in Italian comedy of the seventies, like Manfredi, Lollobrigida and Vittorio de Sica. The score of the film (by Nino Rita) is FANTASTIC: the themes are airy, elegant and memorable. The slow carillon in "Fata turchina", the coupled piano-harpsicord motif of "Birichinata" or the magic, slightly psychedelic mood of "Trasformazione di Pinocchio e Lucignolo", the askance tango "Il Gatto e la Volpe": just a few of the excellent episodes giving the LP its old-fashioned countryside charm. Fun for all family, and undeservedly little known of outside of Europe. A children classic with a subversive undertone that adults can appreciate.

It's simply a masterpiece to collect. The best Pinocchio movie adaptation ever made. A strict adhesion to the Collodi's text and several genial inventions like Franchi and Ingrassia as "Il Gatto e la Volpe" or Vittorio De Sica as "il Giudice" or the Gherardi's costumes and the unforgettable soundtrack. The original tuscan speech, unfortunately available on Italian version only I suppose, enhances the philological value of the film. By the Comencini's Pinocchio the Italian TV production, at beginning of 70's, reached probably its quality top, rarely confirmed later. Forgot Benigni and his "colossal-flop", manufactured for US market! Only Comencini and Suso Cecchi D'Amico, uo to now, have been really able to adapt the Collodi's tale for a movie.