An amusing premise, but ultimately not believable enough (even in a movie) to really enjoy. I suppose the actors all did as well as possible considering the material. Special notice to Bianca Jagger, who was thoroughly credible, Which makes me wonder how hard acting really is. Not taking anything away from Ms. Jagger's performance, just noting how non-actors seem to often do reasonably well in movies. Boring overall, except to those interested in seeing Jeff Bridges at such a young age. Grade: D
The American Success Company
1980
Comedy / Drama
The American Success Company
1980
Comedy / Drama
Plot summary
A husband is humiliated at home and at work. He decides he has had enough of it and hires a prostitute to help him get back at his boss, wife and friends and get a lot richer in the process.
Uploaded by: FREEMAN
Director
Tech specs
720p.WEB 1080p.WEBMovie Reviews
Amusing premise, not enough
Conceptually interesting, ultimately a cinematic failure
The heart and intention of and for this movie are nothing but good, but ultimately it fails in a script that starts smart but becomes, as the movie progresses, not only flawed but terribly disjointed. Add to this that some of the acting is far to hammy, and some scenes entirely too stagey and contrived. Grading it, an A minus for intent of message, and D minus for successful cinematic execution of same. In other words, do not spoil your own social ideals hoping this flop will further the awareness you would like to share with the world.
The ultimate fairy tale
I saw this at SIFF (Seattle International Film Festival) and it was brilliant. I saw it later on TV and it was awful. WHY? Why would they take a fabulous show and take away everything that made it memorable? I just don't understand! The version I loved started with a voice-over (JB) describing it as a fairy tale about a giant (opening shot of Beatty's feet dwarfing skyscrapers as he treads through a miniature city, pulling back to establish perspective),a wicked queen (the nasty office gossip),and a princess (the lovely Belinda Bauer, not living in the real world at all). This metaphor was maintained throughout, and it worked! When he makes the decision to become two people, his own bland persona ("We met on my Junior Year Abroad and got married because people thought we looked good together.") and a wicked, dangerous, *attractive* alter ego with a scar and a limp, the change in the reactions he elicits are amazing.
Watching the scam take shape, I wasn't sure until it was over just how he was going to pull it off, but he did, and I was more than willing to believe that they lived happily ever after. The fairy tale metaphor holds the film together.
The version I saw on TV was unrecognizable. They'd completely eliminated the fairy tale frame, making it an implausible scam without sufficient skeletal structure to allow it to stand upright.
The film festival edit was one of the most fun films I've ever seen. The TV edit was ghastly. Why did Richert let them do it????? At the Q&A session at SIFF, he was talking about the difficulties making this film and "Winter Kills", and I suggested he walk with a limp. Who knows...it might have helped. It worked for Jeff Bridges!