I would place this movie along side CAPTAIN BLOOD and THE SEA HAWK as the finest pirate movies of Hollywood's Golden Age. All three are highly entertaining, well-scripted and directed and are just plain fun to watch. All three also have something else in common. All are based VERY loosely on novels by Raphael Sabatini--so loosely that, at times, only the broadest of similarity exists between the novels and the movies. While I love the books, I just can't deny that the movies are equally great--just different.

Now on to this movie in particular. Tyrone Power stars in this movie with the petulant, but highly entertaining Maureen O'Hara. At first, they hate each other's guts but over time they are drawn together (naturally). However, the journey from total hatred to deep passion is just so much fun--full of fighting, comedic moments and fine acting. The next time your kids want to rent the latest bilge from Hollywood, sit them down with a copy of this film--they'll thank you for it (provided your children aren't idiots).

I do think The Black Swan is under-appreciated. It certainly isn't the best movie ever made, but on its own merits, it is a hugely enjoyable and truly remarkable swashbuckler. The cinematography is gorgeous, and thoroughly deserved the Oscar it won, with its perfect capture of the cleverly-choreographed swordplay, and you can also admire the beautiful costumes and sets, as well as the rousing music score that was beautiful. The sets and action sequences are the main merit of this film, very majestic and well-staged. You may think that any film with pirates would fall into predictability, but this one doesn't, it is original, funny at times and has a touch of romance in it. The performances were excellent. Tyrone Power is surprisingly good in the title role, though swashbuckling fans may be yearning for someone like Errol Flynn, and Maureen O'Hara is beautiful beyond words as Margaret. It is probably true that their romance isn't quite as convincing as the one in The Adventures of Robin Hood with Errol Flynn and Olivia DeHavilland, but it is still a convincing (and fairly witty) one, and rarely interferes with the focus of the film. As the mutinying Captain Billy Leech, if you put the awkward accent aside like I have, George Sanders (who is the expert of suave and smarmy menace) is excellent, who is surprisingly good at sword fighting. All in all, a stylish and very worthwhile swashbuckler, with a 9/10. Bethany Cox.

The Black Swan And The Mark of Zorro show Tyrone Power at the height of his career. This was the Tyrone Power that the public wanted to see, but who he got tired of being. He was constantly after 20th Century Fox and Darryl Zanuck to give him more challenging roles.

Jamie Warring is another of Power's patented hero/heel characterizations. When we first meet him, Power's a totally unrepentant scalawag who has but one virtue, loyalty to the former pirate leader Henry Morgan. Morgan by all accounts was an effective and charismatic leader both in this film and in history. But that leadership is put to the test when the British government decides he's the only man capable of dealing with his former compatriots.

Laird Cregar as Morgan makes a plea for the group to turn honest. But there's a fly in the ointment. A dissident group led by George Sanders and Anthony Quinn don't want to give up the pirate lifestyle. It's up to Morgan, Power and the rest to then eradicate them.

Power at his hero/heel best is not above forcing his attentions on Maureen O'Hara the daughter of the former governor of Jamaica. Those attentions gradually move from the unwanted to the very much wanted, especially after Power and O'Hara are captured by Sanders. For the rest, well as they you just have to tune in.

The Black Swan deservedly won Oscars for special effects and color cinematography. It's unfortunate that today there are so few actors capable of playing the swashbuckling hero the way Ty Power could. He may have wanted to do more, but Darryl Zanuck knew exactly what the public wanted to see Tyrone Power in. It's worth a look.