In Taliban-controlled Kabul, a young girl named Parvana has to sell her best dress on the street with her father Nurullah. He's a former teacher and they're harassed by his former student Idrees turned Taliban. Idrees feels slighted and falsely accuses Nurullah. With her father in prison, Parvana has to dress as a boy to buy food and earn money for the family. Her writer mother is beaten for being in the streets without a male chaperon. Parvana is befriended by Shauzia, another girl who dresses as a boy and mentors her in the ways of the streets. To please her little brother, she tells him stories about a young boy on a quest against the Elephant King.

The animation is beautiful. The story is compelling. Parvana is an empathetic character in a real apocalyptic world. The fantasy tale is slow at first but it pays off by intertwining with her real world story. There is a real intensity in the build up and in the climatic reveal. The only drawback is that I hoped for a real Parvana to tell her own story. No matter how sincere the writing and how well the telling, it is in the end a second hand tale.

In the 21st century, we're used to animated features being escapist, often the sorts of movies that nine-year-olds will find entertaining, and always based on star power. That's just one of the things that makes "The Breadwinner" such a breath of fresh air. This story of a girl in Taliban-era Afghanistan forced to pose as a boy to provide for her family shows that an animated feature can be just like a live-action feature; after all, animation is simply another type of moviemaking. Realistic plot, no famous names (except for executive producer Angelina Jolie) and no over-the-top musical numbers. It certainly doesn't paint a pretty picture of the Taliban.

I think that this should've won Best Animated Feature at the Oscars. "Coco" had an interesting story, but this focused on a more important topic. I understand that there was a movie called "Osama", which had a similar plot. In the meantime, definitely watch "The Breadwinner".

Another movie that focuses on a girl's childhood in a fundamentalist regime is Marjane Satrapi's "Persepolis", about her coming-of-age in 1980s Iran.

The beauty about discovering independent animated films outside of America is that you discover gems that could never be made here. In the case of today's film, it comes from the Irish studio Cartoon Saloon, known for making The Secret of Kells and Song of the Sea. Although the film did go under the radar outside of getting an Oscar nom and premiering at TIFF in 2017, it's still regarded as a beloved feature amongst critics and film fans. What could have easily been done in live-action ends up working well in the other medium to really bring to life the turmoil in Afghanistan through pure artistry.

The Breadwinner focuses on a little girl named Parvana who lives under the Taliban rule in Afghanistan. After her father is arrested without charge, Parvana disguises herself as a boy to support her family, whilst working alongside a friend of hers named Shauzia. As a lead, Parvana helps drive the film forward so she can save her loved ones, and the stakes that come from living in such an oppressive country make us sympathize with her. That being said, there is a sense of optimism displayed through both her and Shauzia, as they cleverly trick the hierarchy who view them as boys. It's also neat how the filmmakers made Parvana feel relatable by displaying her home life that shows as many sibling rivalries and issues as the average family.

It's neat how even though the film details many hardships, it also has several moments of sweetness and levity. The film sporadically showcases a story told by Parvana that ends up connecting to all the events happening to her, and it does it in a way where we want to know how it all ends. In terms of dark content, the film does not shy away from displaying the violence, evil from the order and even bits of war to heighten up Parvana's desperation and risk taking. However, there are still moments of soothing relaxation, especially whenever Parvana tells her story, allowing the viewers to digest the severely tense moments. While they can interrupt the main narrative's flow sometimes, it's still cool to see the contrast between the harsh reality and uplifting fantasy displayed in this film.

Cartoon Saloon outdid themselves with their previous features in terms of animation, and this film is no exception. The overall Middle-eastern inspired designs of the film create a very stylish and angular hand-drawn feel that's become so rare to find nowadays. In addition, another notable contrast is how the film emulates reality in Parvana's state of being. In contrast, the stories she tells are presented in a more abstract and storybook illustrative aesthetic that gives one the impression they are viewing an ancient narrative. Where the real world is murky, grainy and filled with bright lights and grim shadows, the surreal worlds of the story display a very versatile amount of colors, designs and characters to utilize the much needed creativity from a storyteller.

Although by no means a happy go lucky film, The Breadwinner succeeds very well in telling a narrative through the harsh realities of growing up in a dangerous country filled with oppression and prejudice. If you haven't seen this film yet, definitely check it out. It works as a story of feminism, it works as a blend of differing mediums shown throughout different states of reality, and it especially works as a biting tale on surviving in a country filled with tyrannical cruelty. This is the kind of underrated gem that demands a larger audience, so it can go on to become a cult classic and then a beloved film by more than just animation buffs. If Cartoon Saloon keeps pushing themselves to making more unique and great content like this, I think they're in for a wonderful future.