There are not too many films which depicts the military of our Northern neighbor. Their contribution to World War II are manifest and undeniable. Why Hollywood forgets this is a very good question. The movie is taken from the files of the military concerning the First Special Forces also know as the Black Devils. They are also mentioned in another movie called 'Anzio.' This movie is called " The Devil's Brigade " and has so many notable stars it's a wonder they didn't illuminate the entire theater. William Holden plays Lt. Col. Robert T. Frederick (without a mustache),but does give credit to the fact the good Col. was totally without experienced when the brass hats put him command. The Force is unusual in that it consisted of Canada's elite soldiers and Major Crown a survivor of the battle of Dunkirk. (Cliff Robertson) The other half of the famed unit was given by the U.S. army who emptied all their military stockades and sent this group the dregs. Vince Edwards, Claude Akins, Jeremy Slate, Jack Watson, Richard Dawson, Tom Troupe, Luke Askew, Carroll O'Connor, Dana Andrews and of course Michael Rennie as Lt. Gen. Mark Clark rounds out the bill. The film contains both elements of a war movie. It has the questionable decision of combining these two elements, the very best and the very worse and the incredible military results which became the motto of these men. They do the impossible. The acting is exceptional and the end result is the creation of a military Classic. Well done! Recommend to all. ****

REVIEW OF THE MGM REGION 1 DVD

With the huge success of "The Dirty Dozen", a popular theme began to appear in war movies: instead of focusing on good, clean-cut heroes, the main characters became misfits thrown into situations which made them heroes, whether they wanted to be or not. The story of the Devil's Brigade is a true one about misfits turned into wartime heroes.

William Holden plays Lt. Col. Frederick, who derives a plan for combining Canadian and American troops into an assault force which will attack the Germans in Norway. Holden is forced to deal with two contingents of troops: a proud, professional Canadian unit under the command of career soldier Major Crown (Cliff Robertson) and an American unit comprised of misfits and criminals, led by crass Major Bricker (Vince Edwards). The men instinctively hate each other, and spend their months of training bickering with one another, until a huge bar fight forces them join forces against unappreciative lumberjacks. From there, the men are no longer fighting each other… they are deployed to Italy, rather than Norway, where they must capture a strategic hilltop from which Nazi artillery pounds the Allied advance.

Veteran director McLaglen, who seems to always be able to throw together a satisfying film but never really made a classic, falls short once again – this time, he's trying to make a docudrama, but constantly falls back on established stereotypes and familiar situations rather than fresh, new material, almost as if he's afraid to try something new. That aside, this is one very entertaining movie, and its' success rests largely on the capability of a huge cast of character actors.

Of the three leads, Robertson is most convincing. He manages to make Crown an admirable hero, with guts and determination. He cares about his men but pushes them to their limits because he knows that when they face the Wehrmacht, they will be better off for it. He is calm and collected under pressure, whether it is pressure from superior officers, attitudes of the men under his command or in the tense heat of battle. Likewise, Edwards breathes vibrant life into Bricker. Bricker is a witty officer with a short temper towards misbehavior in his unit, and little respect for the dregs he commands. We know he's unhappy with his assignment from the moment we meet him; only gradually does his attitude change. Holden is actually the least believable of the three leads. He never seems to be acting with much passion or concern for his character, and never comes across as a real, living human being. His role as commander is strictly one-dimensional, and this is probably the lowest-grade role I've seen him in to date. This is where flaws in the script begin to take their toll, because most viewers have seen Holden act so much better, but that's because he's had much better material to work with.

The supporting cast is filled with familiar faces, several of which deserve mention because they are so good. One standout is Claude Akins as Rocky Rockman, easily the most rebellious of the Americans. He's physically rough, profane, and won't hesitate to pick a fight with anyone, anywhere. But during the aforementioned bar fight, he finds himself allied with Peacock (Jack Watson),a Canadian he holds in highest contempt. Peacock is a staunch, stiff NCO who makes discipline and respect his #1 priorities, and naturally, he and Rockman don't get along… until they have to fight alongside each other to gain respect from some angry lumberjacks, and realize that maybe they can get along as comrades in arms, and maybe even friends. The course of this relationship builds realistically throughout the course of the entire film, making one scene during the final battle incredibly moving.

McLaglen makes the final major encounters with the Germans, the highlights of the film. The first major encounter involves the brigade's probe of a German village, in which they manage to capture an entire German battalion without taking a single casualty. This scene is funny and well-executed, but never comes across as a very convincing – it's simply meant to be a humorous excursion, and proves that the men of the Devil's Brigade can operate better than any other American Army unit. The on-location filming looks great in this sequence, though – it was shot in a real village, not on a set, and the exteriors look fresh in every shot. McLaglen uses a lot of pans and zoom-outs to show the progress of his characters, too, making for some nicely composed sequences.

The final mountaintop battle is brilliantly executed from start to finish. Beginning with a perilous sequence of the brigade rappelling up steep cliffs, the sequence builds to a bloody, hand-to-hand encounter with German infantry. Most of the battle is shot from the grunts' perspective, and the camera occasionally rises above the action to show us what progress the men have made – but essentially, this isn't an epic battle with a bunch of extras battling it out. McLaglen is interested in telling a human drama from the start, and doesn't abandon his characters in favor of scope. Instead, he tells the story of the fight as the men see it, and does a very good job. When compared to films of today, the final battle isn't very graphic, but does feature plenty of blood spurts and there is some use of a hand-held camera, making this a bit more realistic than some other war films of the time period.

"The Devil's Brigade" is a touching human drama, but easily fades into the sea of familiar unit pictures. There is nothing to really set this apart from that sea, but director McLaglen and the actors work well together, making the story riveting and enjoyable. There are ample doses of humor and satisfying amounts of humor, action and character drama to make this a recommendable war film.

THE DEVIL'S BRIGADE is another men-on-a-mission war film to follow in the wake of THE DIRTY DOZEN. This is along very much the same lines, albeit with a much bigger cast, and once again it concerns an officer training up a platoon of men for a suicide mission. This time around, the orders are to capture a bunch of Germans and later take a mountain occupied by German forces in Italy.

It's obvious from the outset that this is a highly entertaining picture just from the level of talent involved. The familiar faces are endless and the pacing never flags despite the lengthy running time. The first half of the movie is taken up with training but it doesn't feel slow, thanks to the conflict arising from the Canadian troops and the dregs of the American jails forced to join forces with them. Later, when the action hits it does so impressively, mixing quietly taut peril and suspense sequences with all out battle warfare.

William Holden headlines the cast as the ultra-tough lieutenant colonel while Cliff Robertson and Vince Edwards play the two opposing majors under him. Elsewhere we get good character parts from the actors playing the privates such as Claude Akins, Richard Jaeckel, and Richard Dawson, and a scene-stealing turn from Jack Watson as the tough Scotsman Corporal Peacock. THE DEVIL'S BRIGADE is an entertaining war flick in that inimitable 1960s style.