In Austria, the American traveling salesman Virgil Smith (Bing Crosby) arrives in the palace of Emperor Franz-Joseph I (Richard Haydn) with his mongrel dog Button expecting to sell one gramophone to him to promote his sales in the country. However, the guards believe he has a time-bomb and he does not succeed in his intent. When the dog Sheherazade of the widowed Countess Johanna Franziska von Stolzenberg-Stolzenberg (Joan Fontaine) bites Button, Virgil visits her and sooner he falls in love for Johanna and Button for Sheherazade that is promised to breed with the Emperor's dog. When Virgil asks permission to marry Johanna to the Emperor, the nobleman exposes to the salesman that their difference of social classes would doom their marriage and offers a business to Virgil.

"The Emperor Waltz" is a delightful and naive romance of Billy Wilder, with parallel human and canine love stories like the dogs were the alter-egos of their owners. The art direction and the set decoration are amazing, and the scene of the ball is awesome. Joan Fontaine is extremely beautiful and shows a great chemistry with Bing Crosby, but the dog Button steals the movie and is responsible for the funniest moments. My vote is eight.

Title (Brazil): "A Valsa do Imperador" ("The Emperor Waltz")

"The Emperor Waltz" is a surprisingly lightweight film considering it was directed by Billy Wilder. This is the same director who'd just won Oscars for "The Lost Weekend" and "Double Indemnity". And, while he also made some great comedies (such as "Some Like it Hot"),"The Emperor Waltz" is surprisingly lightweight--particularly since Wilder's Oscars came just a few years before this film. You'd have thought he would have merited a more prestigious project.

Bing Crosby stars as Virgil Smith--a traveling salesman who is trying to make a sale to Emperor Franz Josef of the Austria-Hungarian Empire!!! This is utterly ridiculous and you just have to turn off your brain to enjoy much of the film--such as the notion of his falling in love with a Countess, the Emperor and Virgil having an informal conversation as well as a dog that is receiving psychotherapy! Yes, it's all very silly and Joan Fontaine and Bing Crosby do make a hilariously mismatched couple. Yet, despite the film's many shortcomings, it IS entertaining. A bit brainless...but entertaining. Certainly no even close to either actor's best but kind of cute.

By the way, buried under all that makeup and facial prosthetics is Richard Hayden--believe it or not!

It's nice to see others who are also quite fond of The Emperor Waltz. The film mayn't be a personal favourite or a masterpiece, and there has been better from all involved- for example it is one of Billy Wilder's weakest films that I've seen but that is not knocking it at all, just that his best films are some of the best ever made- but The Emperor Waltz is still a lovely and very enjoyable film. Yes the story is incredibly silly and at its worst disposable and Bing Crosby has moments where he does overact. The Emperor Waltz does look absolutely gorgeous, the clothes and scenery coupled with the colourful cinematography really do make for a visual feast. The music is both lush and characterful, and there are songs also that are really catchy and pleasant to listen to. The choreography in the ballet sequence is wonderfully nimble as well as deliciously witty, it also doesn't go on for too long or bog the film down. The script at its best is uproariously funny with Wilder's style definitely coming through, helped by the great comic delivery, and there is also room for some genuinely sweet moments without falling into schmaltz as well as some biting but often gentle cynicism with the portrayal of the Austrian court while keeping in good taste still. Wilder directs with a sure hand, if not at his best and in the performances there is little to complain about. Particularly good are the dog Buttons, who bags some of the film's funniest moments as well as its sweetest, and an unrecognisable Richard Haydn, sometimes his character is irritating but Haydn is also hilarious and thoughtful too. Joan Fontaine is subtle and touching, the rest of the supporting cast turn in good work and while Crosby does go overboard at times he takes a light-hearted and suave approach in others which is most endearing and he characteristically sings magnificently. Overall, lovely stuff with a lot to like. 8/10 Bethany Cox