When exploring the Asian epics it is wonderful to find out that all the critics and the general ideas are wrong. First of all, not all Asian pictures are filled with martial arts nonsense. Far from it, I'd say.

And here is a truely great epic. It has been compared with Kurosawa's RAN, which is rather silly since that film has been made by one of the Founding Fathers of cinema, and also with BRAVEHEART, which comes pretty close.

Somehow this film keeps the mind spinning; the wonderful stories of Jorge Luis Borges about this First Chinese Emperor twists and turns in the back of the mind. The refusal of using too bright a' colours in wardrobe keeps you asking why we needed all these glistening colours with Bertolucci's tale of the LAST EMPEROR anyway.

Is this epic true to history ? I really couldn't tell. It might be... I do know it is a wonderful lush film, and within its grand scale it has found a way to talk about the small yet important things. It is a gorgeous epic, and romantic without the silliness we westerners usually mix in our grand stories...

Don't be misled by ANY of the US critics who reviewed this remarkable movie. The Emperor's Shadow's (Qin Song) opening sequence-anything but subtle with hundreds of enormous bells being sacrificed to a thundering cataract of water and river foam--and the dying Emperor's last pronouncement are a perfect preamble for what follows.

And pay no attention to the cursory plot summaries--far more is involved here than a simple stubborn musician who seduces the Emperor's favorite daughter and refuses to compose a national anthem. Word play, puns and verbal sparring are very important in the film (e.g. the instrument the musician plays is a qin; the Emperor is head of the Qin dynasty); and the love/hate; cat and mouse; art vs politics; peace vs war; pacifism vs force themes embodied in the relationship between the Emperor and the musician is one of the most fascinating interpersonal conundrums since Henry II and Thomas Becket.

The fact that this extraordinary film did not make the rounds of all US art houses is a tragedy. The scope, the grandure, the uniformly excellent performances, the stunning cinematography add up to a unique and unusually compelling experience.

The Emperor's Shadow may also be one of your very last chances to witness a true epic--there are no computer generated masses here--each one of those thousands and thousands of soldiers is a real human being.

The Emperor's Shadow is a misunderstood, over-looked, underestimated masterpiece.

I cannot say enough about this film. The production value was TOPS. The locations, story, acting, music, and everything else involved in it was extraordinary. I watched it 10 times (Each time forcing others to watch, which they all agreed with me). It should have won an Oscar, but since there are probably big politics with Mainland China vs Hong Kong, it never got a mention. I am not Chinese, but do appreciate a fine film. WATCH IT!!! TRUST ME. You will agree. The music writer scored many other Top Chinese films like Farewell My Concubine, Ju Duo, and Raise The Red Lantern, just to name a few! WoW! The acting was superb. Natural and realistic. I cried each and every time I watched it. What can I say? I definitely think it was one of the best made films I've seen in many years. I am an actor and have produced a few action films (nothing that compares to this, or even gets close...PLEASE! I wish!). This has every emotion and is to be considered an EPIC of Extraordinary Proportions!