"The Gatekeepers" is an amazing documentary--one that was nominated for the Oscar for Best Documentary Feature (losing to the great film "Searching for Sugar Man"). It's very well made and amazingly insightful--and the film really came to me as a surprise.

This film consists of interviews with several ex-commanders of the Shin Bet--the most top secret and toughest organization in Israel. Their mission is to stop terrorism and they are very, very good at it. However, in such a divided nation, they surely can't stop it all and the six ex-leaders all seem to agree that the mission can never fully be completed. However, what was pretty shocking was the finale, in which ALL of them (including the most die-hard and tough-minded) all seemed in agreement with what the organization SHOULD do but which isn't possible due to politics. I could easily say more, but don't want to ruin the film.

What is really amazing about this is that in "The Gatekeepers" this previously ultra-secret organization is amazingly candid and approachable to the filmmakers--and I'd love to know HOW this occurred. All I know is that it's one-of-a-kind and fascinating throughout--and well worth seeing regardless of your political persuasion. Exceptional.

Those with a deep and abiding interest in the problems of the Middle East will find much food for thought in "The Gatekeepers," an Oscar- nominated documentary about the Israeli intelligence agency known as Shin Bet. And those who are but casual observers of that part of the world may learn a thing or two as well.

The selling point of the movie is that for the first time ever it managed to get a number of the past leaders of Shin Bet to comment on their experiences with the organization. Directed by Dror Moreh, the movie begins with the Six Day War in 1967, goes through the various periods of turmoil and attempts at peacemaking that have gone on there through the decades since (including the assassination of Rabin),and ends in the present day when technological advancements have made surgical drone strikes the preferred weapon of choice in the seemingly never-ending battle against terror. As such, the movie provides a fascinating and surprisingly cohesive history of life in that geopolitical hotspot over the past half-century, all without any voice-over narration, using only the extemporaneous words and comments of the men who played such a major part in that history.

In moments of intense self-reflection, the men offer surprisingly candid comments regarding what they've had to do in their role as protectors of the nation. They re not afraid to delve into the grayer areas of the issues, for instance expressing regret over the "collateral damage" of innocents often caught in the crossfire of war, admitting to the mistreatment of prisoners, and agonizing over the dehumanization that results from sectarian prejudice and fighting. A number of them ponder the distinct differences in motive and approach between the politicians setting the policies and the people assigned to carry them out. Above all, to a one, the men reserve their harshest criticism for themselves, Shin Bet and their own country, often expressing sympathy for the Palestinians for what they've had to endure under Israeli occupation and questioning much of what Shin Bet and they themselves have done over the years, the mistakes they've made. Most agree that the most important thing Israel can do is to keep talking to its enemies. As such, I can't imagine this film went over too well with the hardliners in that country. As one of the men says, the farther one gets from one's time as leader of Shin Bet, the more "leftist" one becomes.

I don't know if that's true, but it makes for a fascinating theory. And there are many more unexpectedly eye-opening and paradigm-shifting moments to be found in "The Gatekeepers."

Israelis abide to very few myths. In a young country that is a melting pot of people coming from almost one hundred different countries, where a majority of the population is either born some other place or belong to the second generation of children of immigrant parents, what unites even more than the shared traditions (respected in various manners and to very different levels of obedience) or the common history which is for many yet to be learned (if not to be written) are above all the permanent external menaces perceived in many moments, rightly or wrongly, as existential dangers. In such moments the trust of the nation is not that much focused on politicians but on the people who defend the country, some with the arms in hands, other in wars that are more secret than visible. The heads of the military and the heads of the security services – the legendary spy agency Mossad and the internal Security Service 'Shin-Beth' as it is called in this film are living legends for most of the Israelis. Until recently some of them were known only by their initials as long as they lived and were active. Their opinions count, and when they converge, as seems up to a certain extent to be the case in this film, people listen. The first major achievement of director Dror Moreh and the team that made this film is to have brought together six of The Gatekeepers, the former heads of the internal security service of Israel and make them talk about the history of the service, the war on terrorism, the relations with the Palestinian neighbors of Israel, the situation of Israel today, and the perspective ahead. The convergent views of these men should worry all Israelis who have seen or will see the film.

There is a lot of good and interesting information that is presented in this film, but of course, not all history and the whole complexity of the conflict could have been brought on screen in a documentary that lasts about 90 minutes. Lacking facts will certainly expose the film to critics from all directions, but these critics would be to some extent unfair. In fact for the Israeli audiences there is nothing completely new here, investigative reporting in the Israeli press, TV documentary movies, and books written by political experts and historians have exposed sometimes in much more details different aspects of the stories presented in this film. What is new and different is the candid manner the makers of the movie succeed to make the six different personalities who successively lead the service talk about the events that took place in the last 45 years, their meaning, their implications. Attentive spectators who also know the differences between the views and positions of the six leaders will perceive also the differences between their opinions and their approaches into presenting the facts, but overall a fascinating perspective is built by getting together their testimonies and the history of the area in the period between the Six Days War and today, the initial euphoria, the lost opportunities, the achievements and the mistakes in the fight against terror, the moral dilemmas and the price of the occupation, the human risks and morality of lack of morality of some of the methods – all come together in a perspective which is amplified by the coherent message delivered by each one of the speakers. If you search for information in this film you will not get the whole picture, and I am quite sure that the film will be much better understood from this point of view by Israelis than by audiences abroad. If you look for the historic trends and for indications about things to come, it's mandatory viewing, and it does not look like good news, but rather like a very strong warning signal from people who were in the middle of the policy making and security actions of Israel.

I believe that this film should be seen by as many people as possible and debated in Israel. Best would be probably a screening on prime time TV, but I am not optimistic about this happening soon as prime time TV in Israel seems to be almost fully booked by (i)reality shows. At least, by now The Gatekeepers is distributed commercially and the audiences seem to be interested. However, the more echoes may come from abroad, especially as the film is a candidate for the Oscar in the documentary category, certainly if it also wins the award. The editing of the film is smart, the combination between historical footage and computerized effects puts even more life into the illustrations, and the permanent images of the big screens as a symbol of the technology used to permanently supervise the territories is haunting. I have seen however much more sophisticated technical means put at work in documentaries. 'The Gatekeepers' is eventually a talking heads movie and is important because of the stories that the talking heads tell and the message that they deliver.