The Last Confederate is a film conceived and brought to the screen by its star Robert Adams. Apparently with considerable help from the South Carolina Film Commission and state government. It certainly presents the Confederate cause in the best possible light, something of particular interest to South Carolina since it was those folks who were the first to secede and get the drums beating out a fast tempo.

After saying that it's also a good romantic film showing the love of star Adams's great great grandfather Julian Adams and his Yankee sweetheart from Pennsylvania played by Gwendolyn Edwards. With flashbacks to the Ante Bellum period we see Adams in the last days of the war knowing full well the cause was lost, but as he says it they're now fighting for a way of life. Of course the question of slavery is kind of glossed over as you would expect.

As romance however the film is first rate. After being taken prisoner and spending time in Elmira, the Union's Andersonville Adams and two friends escape and go to Pennsylvania because that's not what his captors would think he would do and because Edwards has fled there to be with her grandfather, an aged Mickey Rooney. Rooney his scenes mostly in bed delivers a fine performance, a man you can watch live almost his entire almost century life on the big and small screen.

The romance has some real poignancy to it. The film was shot on a lot of actual locations for the story. As history many will find it suspect.

History veracity doesn't necessarily translate into cinematic virtuosity. The well-intentioned people that fought tooth and nail to produce the lackluster Civil War romance "The Last Confederate: The Story of Robert Adams," a.k.a. "Strike the Tent," are direct descendants of the protagonist. Co-director, producer, scenarist, and leading man Julian Adams, who plays his real-life great-great grandfather Robert Adams, deserves a modicum of recognition for this reverential independent film production that depicts one Southerner's view of the War Between the States. Indeed, Adams garnered several Indie film awards for this effort. Nevertheless, "The Last Confederate" qualifies as a tedious re-enactment with wooden performances by all except Mickey Rooney in a bit part as a bedridden Pennsylvania uncle. Although "The Last Confederate" looks respectable, I have serious reservations about it.

I had to opportunity to speak with Julian Adams, the individual who wore all the hats on the production, and he shared his experiences in making the film. Although I didn't like this movie, I have a great deal of respect for the trials and tribulations Adams endured to get it produced and distributed. Anybody who reads this critique can object with my criticism. Mr. Adams took issue with my criticism. Feedback isn't something that I often receive. Had Adams been a Hollywood mogul, I'd have laughed in this face, but he isn't a mogul. He admitted that his film isn't perfect, but it isn't perfect because he didn't have a budget.

As the descendant of a Mississippi Civil War soldier, I enjoy movies told from the Confederate perspective, but "The Last Confederate" conjures up little suspense and excitement, and it lacks quotable dialogue. Sadly, the actors and actresses could have been reading their lines off cue cards for all the conviction that they put into their performances. Remember, this is an independent production and quality talent doesn't come without considerable expense. Let's just say that they performed their parts as the late Spencer Tracy observed. They said their lines without stumbling and they didn't bump into the furniture. As the hero, Adams is no Errol Flynn, but then he did have his hands full with producing this epic, right down to sinking his own dough into the handguns and the muskets.

Technically, everything appears reasonably accurate. Dramatically, this period piece never generates momentum, even during the explosive battle scenes. Adams manages to stage one modest,close-quarters gunfight toward the end. Meanwhile, the epic scale combat sequences are simply re-enactors fighting battles with cameras set up on the periphery of the action. These scenes with hundreds of dutiful re-enactors parading around and discharging their black powder arms do contribute solid production value, but they don't enliven the drama. Adams shuns making judgments against either side, North or South, but he didn't design "The Last Confederate" to convey a moral message about slavery. Adams assured me that he was simply relating genealogical history. In any case, on his tight budget, adopting an attitude would have been more than his low budget could have accommodated. The romance between Adams and a Pennsylvania woman, Eveline McCord (co-scenarist Gwendolyn Edwards of "The Broken Hearts Club"),who came to South Carolina to teach school before hostilities, lacks any vibrancy. Alas, it's really a shame, but this stuff really happened.

Directors A. Blaine Miller and Julian Adams relate their yarn in flashback. Our hero, Captain Robert Adams, rushes to the aid of a wounded Confederate soldier and looks up to find a Union soldier taking a bead on him with his revolver. The remaining 90 or so minutes that ensues is devoted to events before and after the war, and there is a hint that perhaps the protagonist didn't survive this trial by bloodshed. Miller and Adams never make the protagonists seem sympathetic until the middle of the action when Adams and two of his friends engineer an escape from a Federal prison and a grudge-totting Yankee officer chases them. The filmmakers lacked the budget to develop the kind of tension that would make you fear for the lives of the characters. For the record, Adams survived the war, and Eveline and he raised four children and ran a school. What makes Robert Adams is important and essential as a Confederate patriot is never explained. Julian Adams doesn't provide enough insight into his character to differentiate him from countless other characters. He strikes a gallant figure, but we never get under his skin. Alas, the fortunes of low budget film-making prevented Adams from addressing this problem. The romance between the hero and the heroine is sterile. Some histrionics wouldn't have hurt this otherwise flat-lined drama. Shawn Lewallan's color photography makes the grade, but there isn't much subtlety in his lighting. If you suffer through the end credits, the producers reveal that they invoked dramatic license to make their history more palatable. Ostensibly, "The Last Confederate" boasts ambitious intentions, but delivers only a modicum of dramatic impact. Comparisons with the multi-million dollar "Cold Mountain" are inevitable. Initially, when I reviewed this film (which I bought at a Movie Gallery sale, I berated it as "Dull Mountain." I still think it is pretty dull, but I will be a man enough critic to applaud Mr. Adams for making this film. He invested his heart and soul in "The Last Confederate." While I didn't care for this movie, I appreciate it a lot more after having a conversation with Mr. Adams. Just because I didn't like it—for purely aesthetic reasons—doesn't mean that you should ignore it.

When I sat down to watch the 2005 movie "The Last Confederate: The Story of Robert Adams" (aka "Strike the Tent"),I must admit that I was expecting a bit more of a war drama. Sure, I wasn't familiar with the story upon which the movie is based, so I didn't know what I was in for here. But I was expecting a tad more than what directors A. Blaine Miller and Julian Adams delivered here.

Sure, "The Last Confederate: The Story of Robert Adams" was watchable, and it provided adequate enough entertaining for a single viewing. But this was hardly an outstanding or memorable movie set in the time period of the American Civil War.

The acting performances in the movie were actually good, but it was just a shame that the characters in the movie were a bit too bland and generic. They were simply lacking more spark and more dimensions for me, in order to feel like wholehearted and complete characters in the story.

I will say that the sets, props and atmosphere in "The Last Confederate: The Story of Robert Adams" definitely felt like it took place during the American Civil War, and that was something that added to the overall enjoyment of the movie.

I am sure that this 2005 movie will provide adequate entertainment for viewers familiar with the story, or for viewers looking for a love story set within the American Civil War. However, I was expecting a bit more warfare and action, so I was somewhat disappointed with this movie.

My rating of "The Last Confederate: The Story of Robert Adams" lands on a mediocre five out of ten stars. This is not a movie that I will be returning to watch for a second time.