Once the dreadful title song is over this proves a surprising but welcome departure by Victor Saville into Mickey Spillane territory, which shares with 'Kiss Me Deadly' a formidable foursome of females (one of whom actually tells the hero "Oh mister! I haven't been kissed like that for a long, long time!" and a sense of humour that somewhat disqualifies it as a bona fide film noir.
Anthony Quinn (who inevitably turns out to be called "Johnny" and finds himself surrounded by guys in big suits shooting at him) gains in assurance as the film progresses back in the days before winning his first Oscar turned his head.
The Long Wait
1954
Adventure / Crime / Drama / Film-Noir / Mystery
Plot summary
Hitchhiker Johnny McBride is badly hurt and loses his memory when the car he is riding in crashes. Two years later, a clue leads him to his old home town, where he finds he is a murder suspect. Johnny tries to discover the truth about the murder, while pursued by gangsters and several seductive women.—Rod Crawford
Uploaded by: FREEMAN
Director
Top cast
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"An honest man doesn't use a silencer"
Based on a Mickey Spillane story
Mickey Spillane's "The Long Wait" stars Anthony Quinn, Charles Coburn, Peggie Castle, and Gene Evans.
Quinn plays Johnny McBride, who survives a horrible car crash but winds up with burned hands and amnesia. A clue leads him back to his home town where he, unbenownst to him, is wanted for the murder of the DA. And there seem to be people who don't want to ask too many questions. However, he learns one thing - a woman he knew back then, Vera West, who has left town, can tell him what actually happened.
Johnny also learns that rumor has it that Vera, to escape the bad guys, has had complete plastic surgery and changed her name - but she's back in town with her new identity. Johnny meets several women, but which one of them if any, is Vera?
Johnny proves himself a chick magnet as he becomes involved with each of these women, who work for a man named Servo - but Servo takes orders from someone else.
Unfortunately for the viewer, the potential Veras looked alike and it was hard to tell them apart. They weren't familiar enough to this viewer to be able to tell them apart.
The film has an amazing scene where a bound Peggie Castle crawls up to a tied-up Johnny, supposedly for a final kiss, but to get his gun. Stylish pulp for sure.
This is a real Mike Hammer type of story - dames, brawls, and misogyny.
Tony Quinn's shot at "Mike Hammer" (almost, anyway)
Girls, guns, fists, and fedoras abound in Mickey Spillane's hard-boiled yarn about an amnesiac (Anthony Quinn) who can't remember if he stole a quarter mil from his boss (a doddering Charles Coburn) or killed the town's D.A. ...not to mention the fact that his girl went and got plastic surgery, so he doesn't know who she is, either. Could it be Venus (a smoking hot Peggie Castle) or one of the other babes who swarm around the craggy Quinn like moths to a flame when he's not dodging bullets? Far-fetched fun for fans of obscure fifties noir with as much sex & violence as the Code allowed -and some of it is quite surreal, especially a bound & gagged Castle crawling across the floor as if in an S&M fever dream.
Director Saville and leading lady Castle filmed Mickey Spillane's I, THE JURY the year before (in 3D, no less) but that "Mike Hammer" mystery was more of a sucker punch thanks to Biff Elliot's powder puff PI. It's too bad he and Tony hadn't traded films...