The Lost Leonardo grabs your attention with all sorts of intriguing questions:

1. What is the history of the Salvator Mundi painting?

2. What is a "Salvator Mundi" painting? Were there other Salvator Mundi's that pre-dated this one?

3. How did this painting end up in the estate of Baton Rouge businessman, Basil Clovis Hendry Sr.?

4. What percentage of the severely-damaged painting was over-painted by Dianne Dwyer Modestini when she did her recent restoration?

5. And most importantly, what is the evidence for and against full or partial attribution of the work to Leonardo da Vinci?

6. If the attribution is only partial, roughly what percentage of the painting was done by da Vinci himself?

Unfortunately, the film never adequately explores the answers to any of these questions. As one IMDb reviewer commented, the filmmakers seem more interested in the mystery surrounding the $450 million deal than the mystery surrounding the work of art itself.

But perhaps the biggest reason why these questions don't get answered is the seemingly unshakable adherence by most documentary filmmakers, including the makers of this one, to the now clichéd talking-heads documentary style that eschews all narration. You hardly ever see a talking-heads documentary that couldn't be improved by some narration to fill in the gaps in information provided by the talking heads. I had to go to Wikipedia to get the rest of the story .

Here is a documentary that plays like a mystery thriller. All the events navigate the discovery, sale, re-sale, auction sale, and disappearance of the most expensive painting of all time... 'Salvator Mundi' by (perhaps) Leonardo da Vinci. It is a fascinating, riveting story of art, restoration, lore, provenance, and astronomical financial power. It is superb.

The Lost Leonardo recounts one of the most expansive and expensive stories the art world has ever seen. This documentary has a knack of looking at this painting's recent history from a different angle every 20 minutes or so, revealing a whole different facet of the fervor surrounding this single piece of art and how the conversation around it became about so much more than the painting itself.

This odyssey of art and commerce begins in a warehouse, where a painting called the Salvator Mundi from one of the masters of the field, Leonardo Da Vinci, was thought to have been lost to time and languishes before being discovered by two art dealers who look for paintings that are worth more than they seem. Little did they know, they just stumbled upon their greatest find in that respect. They purchased the painting for 10,000 dollars and had it restored, in hopes that the work was that of Da Vinci's. The restorer's work supported that conclusion and, with that, a whole new journey with it begins. It ends up selling for hundreds of millions of dollars after it travels the world and comes into contact with everyone from the general public, to art critics, to experts, to Russian billionaires, to wily art dealers and world leaders.

Director Andreas Koefoed seems to understand the potential of what he has at his fingertips here - betrayal, treachery, power, greed - it's a winning concoction. For all the goodwill it earns in the riveting way it unfolds, The Lost Leonardo lacks a stylistic backbone to hold the whole thing together. It relies heavily on one-on-one interviews with experts, critics, and those that played in Salvator Mundi's discovery, restoration and sale. Those interviews bear no intimacy to them, which works in giving objectivity to the events documented, but their implementation grows tiresome. Koefoed has little else up his sleeve to tell this story and, for one about art and one of the most prolific pieces in a long time the world over, that's more than disappointing. This film about Salvator Mundi lacks imagination and creativity and is quite staid, which distracts from the gold mine Keofoed has here. Mundi's story certainly is anything but boring; so it's unfortunate that it is told that way.

I give The Lost Leonardo 3 out of 5 stars and recommend it for ages 8 to 18, plus adults. Nothing in the movie is objectionable, beyond some nudity shown in the artwork. If you've got an interest in the business of art or the work of Da Vinci, this one's for you. But more than that, the directions this story takes are so unpredictable that I think it makes this documentary easy to recommend to anybody. The Lost Leonardo comes out in theaters August 27, 2021.

By Benjamin P., KIDS FIRST!