Considering that the previous film, HERE COME THE CO-EDS was such a bad film, THE NAUGHTY NINETIES couldn't help but look good. Overall, NAUGHTY is a mixed bag--with some good Abbott and Costello routines and some bad. In addition, Universal still insists on following a formula they've used in all but one of their previous films--a bunch of sons and a romantic subplot that has nothing to do with Abbott and Costello. Oddly, when the studio dropped both these conventions in WHO DONE IT, the film was a huge success--more than previous films. Why they went back to this material that distracts from the comedy is beyond me.

The film finds Bud and Lou on a riverboat (similar to the one in SHOWBOAT) circa 1890. Bud is an actor (and does a decent job when his routines aren't being ruined by Lou) and Lou is, well, Lou--bumbling about on the ship. A group of crooked gamblers get the ship's captain (Henry Travers) drunk and cheat him out of control of his showboat. As a result, they bring crooked gambling and violence to what had been a family-friendly ship. So, naturally, Bud and Lou try to help out--with very mixed results until the end of the film.

Along the way are a bunch of vaudeville-style routines. On the plus side, you get to see the best filmed version of their classic "Who's on First" routine (an abbreviated one was in their first film, ONE NIGHT IN THE TROPICS). Also, some of Lou's antics that ruin Bud's acting are kind of funny. On the negative side, Universal Pictures really didn't care if any of the routines looked crappy--using very, very fake-looking props and putting little care into the execution of several routines. In the fishing scene, these are the least realistic fish in the history of film. It serves to make the routine look amazingly dumb. In the catfish scene (where Lou thinks he's being served cat),which could have been very funny, there was absolutely no subtlety in its execution...none. In many ways, this stuff looked like Three Stooges routines--but perhaps done with even less subtlety.

Overall, a very mixed bag. For fans of the team, they'll enjoy it. For non-fans, I can't see why this film alone would convert you an Abbott and Costello fan.

Setting the stage for this 1945 comedy, Dexter Broadhurst (Bud) and Sebastian Dimwiddie (Lou) team up to save the "River Queen" from a trio of card sharks, who have gained a three quarter interest from Captain Sam Jackson (Henry Travers) in a rigged card game. The Captain's daughter Carolyn (Lois Collier) never gives up hope, and plays on the sympathies of villain Crawford (Alan Curtis) as the boys whiz through a host of their comedic sketches. They include "My Bonnie Lies Over the Ocean", feathers in the cake, the catfish dinner, the fishing routine, and Lou's shaving routine opposite baddie Joe Sawyer. But they all take a back seat to the famous "Who's on First?" routine, which remains one of my all time favorite bits. The comedic timing is flawless, though in this case, the audience reaction is non existent at the request of the film's director - probably a bad decision as one's reaction is that these guys should play off the audience as much as each other.

The movie's finale revs up to a high energy frenzy after the gamblers are dealt a losing hand with a cold deck by a remorseful Crawford in a one hand, winner take all bluff.

Henry Travers is probably best remembered for his role as the angel Clarence, earning his wings in the memorable "It's a Wonderful Life". Though taken advantage of, he maintains his integrity through thick and thin. But with Abbott and Costello on board, you know that the bad guys don't stand a chance. And with all the mayhem, it's easy to forget that the film also stands up as a musical, with an assortment of tunes to lend counterpoint to the sketches along the way.

THE NAUGHTY NINETIES is one of those films of Abbott & Costello that is a favorite with their fans for the skits that are in them: the plot about the trio of gamblers plotting to take the showboat away from good old Captain Sam (Henry Travers) is tolerable, because it can be ignored. We like the old Captain, but we await the sketches involving the boys. In the end they help save the Captain, so they do become his pair of guardian angels - his "Clarences", if you will.

But the sketches are priceless, in particular the rehearsal sketch and the immortal WHO'S ON FIRST.

In another review I compared Bud and Lou with Stan Laurel and Oliver Hardy. Bud Abbott's persona is not like Oliver Hardy's, although both try to dominate (Bud, with more success) Lou and Stan. Ollie is quite self-important, but is (actually) as stupid as Stan is. His self-delusion is just added on the cake. But Bud normally is street smarter, and bullies Lou. He barks orders left and right to him, orders that Lou thinks he understands. The orders are in abbreviated form, using slang or short form descriptions that most people will understand, and that is doomed to confuse Lou.

In the rehearsal sketch, Lou is studying a song he wants to sing in the showboat show, and if he does it well Captain Sam will let him sing it. Bud is on stage helping direct the putting up of varying scenery. He is asked for help by Lou to help him, and to shut the little guy up, he half-heartedly agrees to do so. But he is concentrating on that scenery. So we hear Lou start singing "MY BONNIE LIES OVER THE OCEAN", and after awhile he hears Bud yelling "Higher", "HIGHER", "LOWER, etc. Of course Lou is not watching Bud directing the men with the scenery, and Lou raises and lowers his voice accordingly. The vast alterations eventually is too much for Lou, who falls into the orchestra pit while an oblivious Bud walks off stage.

The other sequence is even greater. If you say "Abbott & Costello" to anyone today, the phrase "Who's on First" comes up immediately. No other dialog of theirs is as memorable (not even that delectable skit about Niagara Falls). Indeed, due to the popularity of Baseball, the skit is honored in Cooperstown's Baseball Hall of Fame, and Bud and Lou are members of the Hall of Fame too (without being baseball players). No other comedy team approached such a signature dialog - for instance Groucho and Chico Marx did several fractured English discussions, such as "Why a Duck" in COCONUTS, but the dialog is not central to their reputations. Similarly Laurel & Hardy's use of "two peas in a pod" in THE SONS OF THE DESERT is classic, but not central to their reputation.

"Who's On First" works on the same principle as the rehearsal skit - Lou cannot follow the statements fed him by Bud, and yet Bud is not being intentionally difficult. He starts by explaining the crazy nicknames of the baseball players these days, and Lou never makes the logical connection that the nicknames can be terms like "who", "what", "I don't know", and "I don't care". Once I saw someone rewrite Abbott's description as "Mr. Who is on First base; Mr. What is on Second Base...etc." Actually the effect on Lou would probably be minimal: How many people have surnames like "Who" (this was years before the British Doctor in the futuristic tardis showed up). Moreover, they are nicknames, not proper names like "Unconditional Surrender" Grant, or "Old Hickory" Jackson. So it can't be "Mr. Who" or "Mr. I Don't Care".

Interestingly few people seem to be noting that the nicknames don't say much for these players. "Who", "What", "I Don't Know", "I Don't Care", "Today", "Tomorrow" suggests that each of the players has a failing, like "Who" suggests he is confused at the strategy of the team (who is going to be targeted by his team's pitcher on the opposite team),"What" suggests a lack of understanding orders from the team coach or captain, "I Don't Know" suggests confusion, and "I Don't care (the short stop) doesn't give a damn to be on the scene of where the ball falls when he is needed. Lou's willingness to play on the team, which we accept as his fondness of the game (and his constant image of being childlike) may actually have some merit - he may be a better player than these others.

The highpoint (to me) of the dialog is when, giving up momentarily, trying to comprehend Bud's apparent double-talk, Lou shows he can repeat the line-up's name, and describe a baseball play perfectly. Bud shows his approval of this rational approach - only to hear Lou scream out he doesn't understand what he himself has been talking about. To me that was the perfect conclusion of the great confusion known as "Who's on First".

In recent years stores have offered mechanical representations of political and entertainment figures reciting comments they are supposed to be famous for. There was one pair together: of Bud and Lou in costume from THE NAUGHTY NINETIES (Bud wearing the baseball outfit of non-existent St. Louis Wolves),reciting Who's On First. That is immortality folks.