On Thursday 15th July 1982, I was at the Turnpike Lane ABC cinema (sadly since demolished) in North London to watch 'Dead and Buried' with its supporting short 'The Orchard End Murder' and today, exactly 39 years later (to both the date and day of the week) here I am writing a review of the latter of these two films, using technology that did not exist in 1982.

I can remember next to nothing of 'Dead and Buried' but 'The Orchard End Murder' has stuck in my mind for all these years, perhaps because of its British setting. Having missed the very occasional TV screening (which tended to be in the small hours) I was delighted to find out recently that the BFI have deemed the film worthy of restoration and preservation, no mean feat for a film lasting barely 50 minutes. Consequently, I purchased the DVD from them and viewed it last week for the first time in almost 39 years.

There are many bits I remember from 1982 - the killing of the rabbit (which turned out to be more convincing than I thought I had remembered) the murder itself (although I thought it had taken place on grass rather than a huge pile of apples) and in particular, the last two scenes of the film.

The film starts off well with a lot of good tension up to the appearance of Ewen, who at that point appears to be a good guy with a pet rabbit while the stationmaster appears to be creepy at best and a potential murderer at worst.

The sudden and unexpected killing of the rabbit is perhaps too realistic looking and if the director was trying to make a point in linking violence against animals with violence against humans, he still went perhaps a bit too far in this respect.

The murder itself, and the attempted rape that precedes it, is graphic and shocking, and more notably so for the fact that it involves a strangling rather than the more common shootings or stabbings usually seen in films. We are then later treated to an unusual display of necrophilia by the murderer as he attempts to hold on to the dead body with which he has fallen deeply in love with. It is a touching performance by Clive Mantle, but the film's somewhat misogynistic attitude would not sit well today. In fact, the film would probably not even get made in today's 'woke' society.

The film ends a little abruptly, but all the same it is a beautifully photographed film though that evokes a nostalgia for an England of steam trains and village cricket matches, which makes it worth watching.

If you can track this down it's worth a watch. A young couple take a trip to the country for a cricket match he's playing in. She goes off exploring during the match and meets a peculiar character who invites her in for a cup of tea. Lesson learned - always be suspicious of a man who collects gnomes. It's quite well made. The acting is okay. Plenty of laughs - some intentional and some not - and the scene in which the murder victim is buried in a huge pile of rotting apples is really striking. There's another scene in which a body is discovered in a shallow grave with just the bum sticking out of the ground which is hilarious.

Watched this when it was released on the excellent BFI Flipside range and a worthy addition to the range it is. Some of the early scenes in an idyllic village have an almost ethereal quality to them. It's really good to see Tracey Hyde again as not seen her anything other than Melody, albeit a very different role. Things quickly change from an English village cricket match to a brutal murder. Some of the scenes with Tracey are quite disturbing. It is low budget, has some clunky dialogue and farcical policemen, I actually thought it had the look and feel of a CFF (Children's Film Foundation) film up until the first scene with Clive Mantle. After that it's clear it isn't suitable for children! I read it was Rik Mayalls first film but I didn't spot him. The BFI release comes with a nice recent interview with Tracey Hyde.