Here is a fine example of some good ol' Hollywood exploitation. They took the story of famed airplane hijacker D.B. Cooper and decided to make it into a "what if..." scenario by adapting a fictional novel called "Free Fall." Talk about a missed opportunity! Cooper (Treat Williams) lands easily in the woods of Oregon. Just as easily, insurance investigator Gruen (Robert Duvall),whose company is out the ransom money, discovers Cooper is a former charge of his from the Army and begins his pursuit. If you can distance the idea that this is about D.B. Cooper, it is a pretty entertaining chase flick in the SMOKEY AND THE BANDIT vein. I'm sure they threw the Cooper name on there to get the public interested which is a disservice to the film itself. Co-starring Kathryn Harrold, Ed Flanders, R.G. Armstrong and Paul Gleason (in a really scummy turn).

It's really hard to take this movie seriously, especially to anyone who is fascinated by the D.B. Cooper story. I think my biggest problem with the movie is that it just starts with Cooper jumping out of the plane. There is no stage of the actual highjacking and little realism of the jump itself (it happened at night time during a storm). During the actual highjacking, the bomb was not left behind by the highjacker and there was never a stewardess locked in a bathroom. The movie seems to be a parody of the events with a cheesy-hillbilly soundtrack. You almost expect a Jerry Reed/Cledus cameo or even Cheech & Chong at some point. My problem is they had the opportunity to do so much more with it and failed miserably. In recent years, the alleged highjacker was supposedly identified (see Brad Meltzer's decoded). I, for one, love the D.B. Cooper story and hope that someone will serve the story justice, but may be somewhat undeserving seeing as how the "Dan Cooper" who made the infamous jump literally flew from justice himself.

The subject of this work is the infamous D. B. Cooper, who high jacked a jet over Washington state in 1971 by utilizing a bogus bomb, collected $200,000 from the airline company, and then parachuted toward ostensible oblivion, evading one of the most extensive collections of law enforcement personnel in United States history. The production, burdened with serious problems from its outset, with directors John Frankenheimer and Buzz Kulik being replaced in turn by Roger Spottiswoode, is marked by obvious re-shooting as continuity is at times seemingly abandoned. Nonetheless, although flaws abound and logic is sparse, the film succeeds as entertainment, and since the fate of Cooper may ever remain unknown, recounting his story from whole cloth is suitable, with this version fashioned from American poet J. D. Reed's debut novel, "Free Fall". As action opens, Cooper (Treat Williams) is preparing to leap to hoped-for safety into forested Washington (played by Oregon),and he is seen as he eludes state troopers by hiding his bagged stash of 20 dollar bills inside of a freshly slain buck (Cooper jumped with, among his supplies, a collapsible rifle within his pack, and it is deer hunting season). Apparently, the only man capable of tracking the fugitive is Bill Gruen (Robert Duvall),the victim airlines' insurance company investigator and coincidentally the former Army Ranger instructor of Cooper, whose actual name is Jim Meade, and soon Gruen has trailed Meade to his home where he has joined his wife Hannah (Kathryn Harrold). Jim and Hannah head for Mexico, with Gruen close behind, as is one Remson (Paul Gleason),another former Ranger mate of Meade, with an agenda of his own, and subsequent events are stuffed with outrageous incident including a dangerous raft pursuit through Wyoming's Snake River rapids. As is no novelty, Duvall gathers in the acting laurels here with his nuanced reading as a persistent insurance company investigator. Because of its false starts, the film has too much dross to be effectively tidied up by Spottiswoode, but scoring by James Horner is consistently interesting, a musical blend featuring battling banjos, along with jew's harps, dobros, and other instruments of folkish characteristics that highlight British grounded whirligig dances. The D. B. Cooper high jacking is an incomplete story because there is no certainty as to his fate, and a variety of tales may be invented as a result; this one, in spite of its weaknesses, may be enjoyed on its own terms as it provides solid entertainment and a correctly ambiguous ending.