The priest Hugh O'Flaherty (Gregory Peck) turns into the rescuer of the persecuted by Nazis. The Monsignore clandestinely within the shield of the Vatican's diplomatic immunity to shelter allied military from the Gestapo Chief Herbert Kappler (Christopher Plummer) . Then O'Flaherty masquerades as nun, seller, or Nazi officer in order to outwit the German plans in occupied Rome. At the ending the scene where bad guy , Plummer, and good priest ,Peck, finally confront each other is a high point.

This story is inspired on actual facts and based on the nonfiction novel titled ¨The Scarlet Pimpernel of the Vatican¨ by J.P.Gallaher. This interesting story drags in some place but is well realized and contains good cinematography by Giuseppe Rotunno and excellent musical score by Ennio Morricone. It's a lavish production by Bill McCutchen , an ITC-RAI Radiotelevisione Italiana Co-production for world distribution, well filmed by Jerry London entirely on location in Rome.

The real events are the following : In the early years of World War II, O'Flaherty (Gregory Peck)toured prisoner of war camps in Italy and tried to find out about prisoners who had been reported missing in action.When Italy changed sides in 1943, thousands of British POWs were released. Some of them (John Terry),remembering visits by O'Flaherty , reached Rome and asked him for help. O'Flaherty did not wait for permission from his superiors. He recruited the help of other priests (Raf Vallone, Angelo Infanti),and a Swiss count (Vernon Dobtcheff). He also kept contact with Sir D'Arcy Osborne (Peter Burton),British Ambassador to the Vatican. O'Flaherty and his allies concealed 4,000 escapees − Allied soldiers and Jews − in flats, farms and convents. One of the hideouts was beside the local SS headquarters. O'Flaherty coordinated all this and when he was visiting outside the Vatican, he wore various disguises.The German occupiers of Rome commanded by Col. Herbert Kappler (Christopher Plummer) under orders of Reichsfuhrer Heinrich Himmler (T. P. McKenna) tried to stop him and eventually they found out that the leader of the network was a priest.His efforts put him at odds with the Pope Pius XII (John Gielgud) and SS attempts to assassinate him failed. They found out his identity, but could not arrest him inside the Vatican. When the German ambassador revealed this to O'Flaherty, he began to meet his contacts on the stairs of the St. Peter's Basilica.Several others, including priests, nuns and lay people, worked in secret with Msgr. O'Flaherty, and even hid refugees in their own private homes around Rome. Another person who contributed significantly to this operation was the Malta-born widow Chetta Chevalier (Olga Karlatos),who hid some refugees in her house with her sons (Fabiana Udenio),and was lucky to escape detection. When the Allies arrived in Rome in June 1944, 3,925 of the escapees were still alive. O'Flaherty demanded that German prisoners be treated properly as well. He took a plane to South Africa to meet Italian POWs and to Jerusalem to visit Jewish refugees. Of the 9,700 Jews in Rome, 1,007 had been shipped to Auschwitz. The rest were hidden, 5,000 of them by the official Church − 3,000 in Castel Gandolfo, 200 or 400 as "members" of the Palatine Guard and some 1,500 in monasteries, convents and colleges. The remaining 3,700 were hidden in private homes. After liberation Monsignor O'Flaherty was honored by Italy, Canada and Australia given the US medal of Freedom and made a Commander of the British Empire. Herbert Kappler was sentenced to life imprisonment for war crimes. In the long years that followed in his Italian prison, Kappler had only one visitor. Every month, year in and year out, O'Flaherty came to see him. In 1959, the former head of the dreaded Gestapo in Rome was baptized into the Catholic faith at the hand of the Irish priest.

When the Germans take over Rome during the Second World War, their commander leaves the Vatican alone. In the rest of the city, however they behave like Nazis (which they are),One priest begins almost single-handedly to save everyone he can.

I have grown wary of movies that begin with notices they are "based on a true story". They all to often use that as an excuse for dull film-making, or license to embroider the facts beyond all reason. This just-the-facts-ma'am handling of the tale of how Monsignor Hugh O'Flaherty (as played by Gregory Peck) worked to rescue thousands of people from the Nazi occupation of Rome, transporting them into Vatican City, keeps the embroidery to a minimum and benefits from extensive shooting in the Vatican and around Rome. Christopher Plummer offers a portrait of the banality of evil, monster on the day job, gemutlich, absent-minded husband at night. Gregory Peck as O'Flaherty offers a stage Irish brogue, and John Gielgud adds to his repertoire of popes.

At times it seemed as if the story was overwhelmed by the sites, costuming and set decoration - not the first time this has happened in movies set around the papacy - and Ennio Morricone's score is good, although rather conventional. Even so, it's good to see the old warhorses, Gielgud and Peck, at work, and that youngster Plummer is pretty good too!

Bob

Remember Henry II's oblique wish about his former friend Thomas Becket which got carried out? Christopher Plummer tried more explicit methods to get rid of his meddlesome priest all without success.

Although Monsignor Hugh O'Flaherty, an Irish national attached to the Vatican staff, was providing aid to refugees of all kinds from the Nazis before, this film covers a period between September of 1943 and June 5, 1944 when Mark Clark and the Fifth American Army liberated Rome.

Gregory Peck plays the resourceful monsignor who's got a whole bag of tricks from the land of leprechauns to outwit the Nazis. He develops quite a network of people who house escaped prisoners. When Italy threw out Mussolini and switched sides in World War II, a whole lot of Allied prisoners were freed and roaming the countryside. You might remember the novel and film Von Ryan's Express which detailed that phenomenon. The word got out if you could make your way to the Vatican, Monsignor O'Flaherty could help.

What I like about The Scarlet and the Black is the fact that Peck's chief antagonist Christopher Plummer is shown as a three dimensional character. We see him as the ruthless Nazi who dogs Peck and his operation every step of the way. We also see him as father and husband who's enjoying Christmas in Rome with his family and also acting like any other tourist taking the family to see the sights of the Eternal City.

Peck and Plummer are a pair of well matched antagonists. Presiding over it all is John Gielgud as Pius XII. The criticisms I have of Pius occur before he reached the Papacy in 1939. At the point in time that The Scarlet and Black is taking place, there was very little he or anyone else as Pope could have done. He feared, probably with good reason, an Avignon captivity situation for the Papacy if he appeared to be overtly pro-Ally. And of course the Soviet Union which was his big fear was an Ally.

I would recommend watching this film about a good man who happened to be a priest who stepped up to the plate when no one would and fulfilled a great need. A whole lot of lives were saved because of him.