The Tale of Zatoichi is the first in a long series of samurai movies centered around the blind gambler and masseur turned lowly yakuza who has a strong moral compass and makes us feel empathic not because he is blind and underestimated but because he is brave and honest as he always tries to do the right thing. This first movie is one out of two shot in black and white and has a unique atmosphere that makes life in rural Japan come to life in an authentic manner. This film shows how Zatoichi gets caught up in a war between two rival gangs. Even though he isn't respected by the gang he is supposed to represent and uncovers unfair gambling methods, misogyny and murder, he has accepted the fate that he has to live the life of a lowly criminal that he never really wanted. He develops a profound friendship with the rival's ronin who suffers from tuberculosis as they have similar values and share a passion for fishing and sake. However, one day, the two friends know they must face each other in a decisive battle.

There are several elements that make this movie so outstanding. First of all, the film's authentic settings bring the culture and history of rural Japan to life in a very authentic way. Secondly, the protagonist convinces as a man who relies on his moral compass and cleverness first and foremost and only draws a sword if he doesn't have any other choice. Thirdly, the numerous side characters are quite interesting as well, especially Zatoichi's wise opponent Hirate, the ruthless criminal Tate and his proud but desperate sister Otane who ends up falling in love with Zatoichi. Fourthly, the dialogues are really to the point and add something to characters and plot unlike many contemporary martial arts flicks. Fifthly, the few fight sequences in the movie are carefully choreographed and would go on to inspire any other genre film that would follow this movie.

By today's standards, The Tale of Zatoichi might not be the most vivid genre film but it's crafted in an artistic, detailed and intellectual manner that still stands out far over five decades after its initial release. Any martial arts fan should give this movie a chance. I would highly recommend the stunning Criterion Collection of the Zatoichi movies that truly offers value for money. Movies of this quality are rarely made nowadays and should be hold in high regard.

This is the introduction of the blind samurai. It led to a cottage industry in Japan. It involves a nondescript blind swordsman/masseuse who has traveled to see a friend. The man is a gangster and has ulterior motives. He knows that an upcoming confrontation with another gang lord will happen and he wants Zatoichi on his side. Despite his infirmity, he is a master of the sword and would provide a great advantage to someone using his talents. The movie is mostly about the lowlife gangs and their lack of compunction and dedication. The Bosses are pigs, self centered and unsympathetic to their minions. Loyalties are tested and power is the central issue. There is more than one cowardly act and in the end, the two most noble of them all must fight on their own terms and not align themselves with the miscreant factions. A pretty good character is born in this film.

'The Tale Of Zatoichi (1962)' kicks off a series of twenty-six samurai films, twenty-five of which were made in a timespan of just eleven years. Thankfully, though, it doesn't feel full of set-up; in fact, it feels completely self-contained. That's probably because it was only after the flick's success that its follow-ups were conceived. It's a meditative experience, loosely based on a short story written in 1948, that really takes its time to develop its central character. Shintarô Katsu portrays the blind swordsman with restraint and, when necessary, quick-moving confidence. The narrative takes him from hustling a dice game to denouncing his 'Yakuza' status, dealing with themes of honour and - perhaps surprisingly - friendship along the way. It's these elements, as well as a pseudo romance, that really make their mark, as they're consistently believable and crescendo in a fantastically tragic finale. Of course, the more-infrequent-than-expected sword battles are handled with a realistic speed and definitive finality, too. Basically, they always mean something. The overall experience is an entertaining and affecting one. It is slightly baggy and, even, slow in its mid-section, but it's an enjoyable and uniquely subtle samurai tale nevertheless. Hopefully, it marks the start of a fantastic franchise. 7/10.