Trippy film with a plot about tracking down a mysterious band. It follows the same structure of Eddie and the Cruisers in where you have the past (the formation of a band) colliding with the present (where the hell is this band now?). Unlike EATC, however, we never hear the band's music. (One single chord on a sitar at the end). I think this choice works really well as The Transcendents' (the band) music is not important to the story. (I'm also pretty sure that with all the well known musicians in the film, they could have had some great original music if they wanted to)

Which brings me to the acting. All the musician/actors are terrific. But the performance by Savanah Welch in the lead role is jaw droppingly good. Her character, Kim, doesn't start out as much (kinda bratty and annoying),but as the film builds momentum, the layers of her character are peeled away and you get this broken beauty that's hanging on to life by threads. LONG MONOLOGUE. (If you've seen Paris, Texas you'll understand.). The film probably has a debt to Paris, Texas as well with its weird leading man and desolate landscapes and long monologues.

Also, this isn't a movie about a cult. I don't know why the trailer looks like it's about a cult. Don't expect a story about a cult.

Property, Property, Property!

This film struck me as kinda a metaphor for late stage capitalism. Not even a metaphor really since the George character says something like "This country is at a crossroads! They're either coming for the property of your mind or your body or your hands!" That's the situation for all the main characters. Every one of them has somebody coming for the property of one of those aforementioned forms of property. The desolate country landscapes, the empty bars, the people confined to wheelchairs, and the real life animals that have somewhat psychic powers and dread in their eyes represent an America in rapid decline. The fact that this film appeared to be written years before the polarized insanity we currently live in seems somewhat prophetic.

Very much recommend.

Watch this movie for the brilliantly performed monologue by the great Savannah Welch. It's the culmination of a character's descent in depravity. Like pealing away the layers of an onion. It's wonderfully written and the director really allows Welch to do her thing with an extremely long push in that stays at this insane close on her depraved face as she sets up a totally cathartic final act of the film.